All posts by Michael Burge

Journalist, author, artist

Kate Grenville’s cranky road trip to reconciliation

PROLIFIC HISTORICAL AUTHOR Kate Grenville’s latest book Unsettled: A journey through time and place (Black Inc.) documents her gutsy journey ‘up country’ into northern inland New South Wales, serving up excellent fodder for city slickers intent on reading about reconciliation between First Nations and settler Australians.

As she ruminates on colonial blindspots at country town memorials, pubs, farm gates and creeks, Grenville delivers her signature inner dialogue, heartfelt and tense; but as the discoveries about her ancestors mount up, she gets increasingly tetchy and judges the current locals at every step.

I found myself wincing at her portrayal of some who would be easily identifiable to residents of various towns. These scenes are replete with assumptions that require journalistic triangulation to achieve any objectivity, and the solution was always just a few interviews away.

Yet the author often describes accelerating away from encounters she finds fearful, such as a farmer wondering why she’s parked on his driveway. It makes the author’s road trip less about discovery (heck, he might have just been wondering if Grenville had a flat tyre) and more of a drive-by trolling, like the Greens bussing to Queensland’s mining heartland from Melbourne expecting to bring ideologies together.

The old saying about catching more flies with honey instead of vinegar applies, particularly in the country. Dialogue would have led the author to places where reconciliation grows beyond the libraries and the cenotaphs, driven by passionate people making a difference at the coalface. Instead, this book stands to alienate many in the regions Grenville travelled through.

Where Unsettled achieves for metro readers is its roadmap, literal and emotional. Still, I’m baffled about who Grenville hopes to inspire as she exhorts the reader to take up the necessary process of looking back, particularly at our forbears and finding out what they did. This is where the lasting message of this book (that when you know about something, you know) hits a roadblock, because who wants to replicate such a lonely rural getaway, chasing ghosts who very likely did bad things?

I do, and I recognise a lot of myself in Grenville, because I often haunt the landscapes of my ancestors. They are my heartlands, and they certainly saw Frontier War crimes. The driveway to the property where my parents farmed in the 1970s marks the eastern boundary of the Myall Creek district, site of the 1838 massacre of Indigenous people, infamous because some of its white perpetrators were tried and hanged.

My family didn’t settle there until long after the Gamilaroi people had been almost dispossessed of their country. We were among the many generations to benefit from the clearances, yet the crime and my knowledge of it since childhood has always been the source of my reconciliation actions.

Sometimes my efforts are public, such as campaigning for the Yes vote in the 2023 Voice Referendum. Sometimes they are private, but certainly they would have been invisible to Grenville on her quick turnaround in my region.

What I was expecting her to do in Unsettled is that thing most journalists dread: a death knock. This requires door-stopping people, raising awkward questions with those who likely don’t want to talk, yet listening without judgement.

Rural journos also know there is no point stopping halfway up any driveway. A few words leaning on a farm gate while you declare your intentions, or over a cuppa and a scone at the kitchen table, have the potential to bridge pretty big divides.

The death knocks for Myall Creek have been done across three centuries, predominantly by locals for locals. All that is left is for more Australians to listen, and had Grenville attended the annual Myall Creek Memorial weekend in June, instead of her solo walk at the site, her book would have undoubtedly been informed by this vibrant, living reconciliation action now in its 25th year. The sight of so many New Englanders showing up at the ceremony and simply listening is a quiet balm that must be experienced in person.

It should, by now, be inspiring more such rural events nationally. Instead, a growing city/country divide in this country sees more and more outsiders baffled by places like the New England, and Unsettled does little to build bridges.

Grenville deserves credit for attempting to see the colonised landscape for what it is and pushing against the lies within the language rural Australian in particular has used since the Frontier Wars. Her acts of quietly and privately thinking her way through the pervasive de-humanising that was wrought in Australia are extremely powerful, and in many ways justify the lonely nature of the trip.

She absolutely nails her strongest argument when she observes the jingoistic habit of professing love for a stolen country, and how the depth of that ardour can never erase the fact that it was stolen. In my travels, I see just as many signs of that in city suburbs as I do in the bush.

Unsettled is one of many journeys the author has taken following the trails of her ancestors, and her explorer’s observations are deeply meaningful to her. Whether Grenville unearthed any larger truths – the note that she reaches for at the end – is on the rest of us.

It takes more than one person visiting a place to settle anything about it.

Shake the dread: a sample of The Watchnight

IN A REMOTE Methodist community of New South Wales in 1852, aspiring lay preacher Charles Muncey is tasked with recording the sins of every soul who signs up for a week-long revival.

He has plenty to work with. Pardoned convict Thomas Gunson knows the way through the wilderness and agrees to guide the faithful on a circuit of their struggling chapels, though he fears the company of people now that he’s out of his shackles. Irish emigre Oona Farry, recruited as a candlemaker, resents the devotion of the women during their ecstatic praising, convinced that God has abandoned her for her lustful secrets. Even righteous hosts Jacob and Anne Temple harbour transgressions they dare not voice.

But when Californian preacher Charisma Groom stirs up unbridled repentance during a watchnight on the edge of wild country, illicit sex and sudden death come to light. The congregation is ordered to hunt the devil through the ancient Fish River Caves, a dangerous underworld where raptures more powerful than faith are awakened.

With nothing but his fledgling moral compass, Muncey must see through blind faith to uncover which member of the flock is a callous killer.

This is a bold reimagining of the untold story of the Methodist settlers who colonised Australia’s renowned Jenolan Caves during the Frontier Wars.


The prologue of The Watchnight

Gunson thought about firing a potshot over the head of the kid who was dragging a pony up the spine of the treeless hogback, but there was no time to fish out his pistol. Besides, the white smears of the beast’s eyes told a story of near death. The lad must have forced his ride through the flooded gully below, and the way he aimed his own pale peepers right at the hut meant there was no hiding.

‘Creek up?’ Gunson shouted like a smartass.

The kid nodded between tight shoulders. ‘If you’re Thomas Gunson, I’m to go straight back to Mr. Temple with your answer,’ he said, holding out a damp envelope.

Judging by the dark sheen of his duds, the lad had worse weather at his heels. The last thing Gunson needed was someone stopping the night, but he lashed Lizzie’s reins to the post on the sheltered side of the hut, cranky that his mare would have to share the cramped space with a half-dead pony and shoved the door open.

‘Clothes over the chair,’ he said, throwing the lad a blanket and rattling up the fire inside the granite chimney.

Words on a page still dazzled him, so he poked the envelope onto a nail above the mantle, lit a candle in the iron cage hanging from the rafters, and threw bits and brats into the stew pot. By the time Gunson sat on the cot and peeled the letter open to see what his old master wanted of him, the kid had dozed off.

I hope this letter finds you home, friend, and not tempted to go digging for gold. We lost more souls to its baneful influence this spring, including a Reverend who preached his treachery to several stockmen and their women. All walked away from their places in our chapel, faces bereft of-

Jacob Temple had taught Gunson to read, and the memory of his old master’s turn of phrase usually helped unravel the scrawl that came off the ends of his preachy fingers, but the next word – a nest of curls and loops – stumped the pupil.

‘Speak this for me,’ Gunson said, loud enough to rouse the boy.

The lad squinted while sounding it out with chirps and hisses. ‘Ek-stay-see,’ he said.

‘Ecstasy!’ Gunson said, whipping the page back. ‘What does it mean?’

Faces bereft of ecstasy yet full of shameful greed.

‘Go back to sleep,’ Gunson said, recalling the mask of joy that Temple and his faithful wore. If yet another preacher had the sense to run off to the goldfields, good luck to him.

Our Savior replaced them with a young tutor from Cambridge, whose soul I saved on the banks of the Turon. He will make an excellent lay preacher, and is bringing his intended bride from Sydney this week. In addition, a devout widow straight off the boat from Ireland with a marriageable daughter and a lad fit for mustering.

More Irish living on Temple’s overpriced land because they’d fled the famine. Gunson felt for them, because soon enough they’d be indebted beyond their wildest dreams.

We want you back to guide the faithful of Fish River on a Circuit of our chapels. The Reverend Charisma Groom of California has disembarked in Sydney and is mak- ing his way here to lead our Revival. We would count your attendance on the first Friday of summer as a contribution to your capital for the land, and put you well ahead on your loan.

Gunson reached for the tin under the cot, knocked the lid off and sifted through the tobacco left from this month’s supply, adding up the days on dusty fingers. With a groan he calculated that he was expected in under a week.

Temple prided himself about walking his country, which was all very well along the well-trodden trail from Templevale to Cave Hill, but the way on to the chapel at Hampton was along steep-sided waterways that the men of the Burra Burra mob had shown Gunson years ago. Although he would never say it, Temple feared that route because it was not part of his kingdom.

Gunson had no grounds for refusal, not if he wanted peace in his new place.

It wasn’t the idea of guiding a party that left him feeling dead in his own skin, it was bitter experience that told him whenever the Bible thumpers from Fish River ventured beyond Cave Hill, at least one would lose their way in the dark. Temple’s new tutor, fresh Irish, and an American preacher sounded just like the type to tumble down a very deep hole.

Gunson held the letter up to the light for another look at the name of this Reverend.

Charisma.

He tried speaking it out but gave up after hearing the noises coming off his tongue. The lad had pulled his feet under the blanket and the fire was begging for a log. Hooves scraped under the belting gusts outside. Lizzie would have her head down against the door and be mostly out of the rain, the pony trying to keep behind her.

It was still early. Hours of night lay ahead. He’d eat, wake the lad and make him shove down a mouthful to warm his guts, then push him into the cot.

After struggling to rest while the candle burned, Gunson woke with a jolt, dazzlers at the edges of his sight, wondering where the fuck he was. Gaol? Ship? Cave? Harriet Dacre had been in his trance again, yammering about what he’d done to her. If it weren’t for the lad calling out to calm his shouting at the old bird, Gunson might have clawed through the rock wall for a glimpse of light.

Then he remembered: Temple wanted him back to lead lost souls through the wild country. It would be Gunson’s first time in a company of people since he’d become a free man. The rain had let up, but the gale seemed to bounce off his skull. Splinters slid under his nails as he grappled with the arms of the chair, trying to shake the dread.

© Michael Burge, all rights reserved.

‘A fearless reckoning’: Dirt Trap set for November release

MIDNIGHTSUN PUBLISHING HAS acquired world rights for Dirt Trap, the sequel to my rural noir debut Tank Water.

Publisher Anna Solding recently announced the news in Books + Publishing, Australia and New Zealand’s book trade paper.

“Fans of Michael’s Tank Water will be delighted with Dirt Trap as all the signature tension and intrigue continues, two decades on from the year that his debut was set,” she said.

Dirt Trap will no doubt also attract new fans to the rural setting where prejudice lingers against anyone slightly different. 

“Michael has spun a new story that works as a standalone crime thriller and an exploration of justice for the loved ones left waiting after gay-hate crimes were swept under the rug.

“Readers who encounter Dirt Trap first can then read Tank Water as a prequel,” Solding said.

“The inimitable wry voice of main character, journalist James Brandt, is juxtaposed with two strong female voices in Sergeant Therese Lin and podcaster Rita Dillon.  

“We can’t wait to share this exceptional new novel with you.”

Edgy Books

Described by crime novelist R.W.R. McDonald as, “Crime fiction at its most vital,” the award-winning author of The Nancys said Dirt Trap is, “A fearless reckoning with queer history and institutional failure.”

I’m very grateful to Rob. It’s a wonderful validation to get such a supportive early endorsement for a novel, and I’m always fired-up about working with MidnightSun.

Anna and her team create beautiful, edgy books that tell important stories.

Her company is a truly independent outfit that punches well above its weight, and I’m elated to be continuing the storytelling cycle we started with Tank Water.

The inspiration behind Dirt Trap came from a Tank Water reader’s question, about how the rural Brandt family of my first novel would have coped with the long-running NSW special commission of inquiry into LGBTIQ+ hate crimes.

I started to type my answer when it struck me that there was a novel in it.

While reporting on that world-first inquiry into gay-hate crimes, I’d interviewed surviving family of some of the men caught up in the crime wave, and I’d witnessed their resilience and grief first-hand. It felt critical to explore these themes in fiction, which allows an emotional depth that’s not often possible in journalism.

Dirt Trap is set for a November release, distributed by NewSouth Books