I RECENTLY FRONTED a music hall; an old-school, East-End-of-London line up of rollicking romance replete with all the requisite roister-doister of an era long gone.
How did this happen?
Well, truth be told I tried to get out of it. Twice. It had been fifteen years since I’d trodden the boards of any theatre and part of me wondered if I could still cut it in front of an audience. So I let it be known that the part of Eric von Schneider, master of ceremonies, was up for grabs… but no man in the Deepwater region of NSW would take on this pivotal role. It was up to me to play the lecherous ladies man!
The Deepwater Players have performed a piece of community theatre every couple of years since 1981, when much-needed funds for medical equipment could be raised in no other way. Across those decades, high-school teacher Jenny Sloman has directed the shows, and this year she handed over the reins to Richard Moon (who happens to be my husband… maybe that’s how I got the part?) to make his directorial debut.
The troupe stages its work within the Deepwater School of Arts, a late-Victorian country hall with a proscenium stage that we transformed into the Whitechapel Music Hall Theatre. Community volunteers did everything from feeding audiences to performing the show!
People flocked from across the region. Some even came from Brisbane, Sydney, Byron Bay and the Gold Coast to see us sing, dance and move our way through music, lyrics and steps from Noel Coward to Lady Gaga and Kenny Rogers!
Thanks to Max S. Harding having a camera at a central table, images were captured (please note: despite wearing an extremely convincing wig, it’s not my real hair!).
Phantom of the Music Hall was written in 1996 by Australian playwright Judith Prior and is bursting with comedy of highly questionable political incorrectness. Nevertheless, it manages to say something about diversity.
It’s the story of a misunderstood Phantom (played by Chris McIntosh) who doesn’t like pantomime but stalks the wings of the Whitechapel Theatre, spooking the cast and crew.
Ambitious new owner Mrs Worthington (Katie Newsome) is convinced that pantomime is the way to make money, and is madly pushing actors with questionable abilities – because all of them are actually the backstage crew – including stage hands Charley and Fred (Cath Wheatley and Charlie Coldham), stage manager Arthur (Denis Haselwood), and wardrobe mistress Martha (Jen Lanz) to rehearse Cinderella. Her daughter Millicent Worthington (Monica Newsome) pluckily plays the lead role despite an early encounter with the Phantom that leaves her rather dazzled.
After Queen Victoria (Helen Grant) makes an appearance at the Whitechapel Theatre, things start to come undone like Millicent’s seams. Eric Von Schneider tries one too many moves on the talent – Daphne de Lace (Catie Macansh) – who refuses to go on if the dreaded Phantom makes an appearance.
The efforts required to convince this spectre that a fairytale is in fact a melodrama create a night of hilarous Cockney-themed comedy, proving that we all see things differently, even ghosts and queens!
If you were in the crowd, thanks for coming to support our show.
Phantom of the Music Hall, May-June 2021 by Deepwater Players Deepwater School of Arts Director: Richard Moon Producer: Jen Lanz Designer: Michael Burge Choreographer: Lindy Alt Stage Manager: Mari Grantun Cast: Charlie Coldham, Helen Grant, Denis Haselwood, Jen Lanz, Catie Macansh, Chris McIntosh, Katie Newsome, Monica Newsome, Cath Wheatley, Michael Burge Chorister and Soprano: Christine Davis Featuring: Deepwater’s Cool Choir Lights: Peter Sloman, Rob Wheatley, Jenny Sloman Thanks to all behind-the-scenes, front-of-house, kitchen and bar staff and the Chapel Theatre Glen Innes for the loan of costumes, props and sets
THE high country of the NSW New England region is renowned for its autumn colour, but one man who was born at Tenterfield is set to be remembered with an even brighter splash at the inaugural Peter Allen Festival this September.
Parkes celebrates Elvis, even though ‘The King’ never played that corner of NSW, and now Peter Allen fans are encouraged to find their way to Tenterfield to dress up in celebration of the town’s internationally famous son.
At the peak of Allen’s career his hit song ‘I Go To Rio’ topped the Australian charts for five weeks. This high-energy number was backed up by the flamboyant, maraca-shaking, Brazilian-shirted image that became synonymous with Peter Allen’s live performances.
Headlining Tenterfield’s three-day Peter Allen Festival is multi award-winning entertainer Danny Elliott, in a tribute show designed to get the feet tapping.
Danny has earned his Peter Allen stripes performing Tenterfield to Rio for a decade, and was awarded the Australian Entertainment Mo Award for Variety Entertainer of the Year.
“To be the headline act for the inaugural festival is an amazing honour,” he said. “I am so excited to perform the show in Tenterfield and to be a part of the celebration”.
“Unlike the stage show The Boy From Oz — which is the story of Peter’s life — this show is me, celebrating the wonderful music of Peter Allen.”
The song list of any tribute act is always of great interest to fans, and a show built around the work of Australia’s Oscar-winning singer-songwriter raises the question of what Danny will be bringing to his cabaret-style performances.
“There’s so many! Where do you start?” he said. “‘I Go To Rio’ has those fun, great Latin rhythms. ‘Once Before I Go’ is a reflective song of life and love. ‘Bi-Coastal’ has a great story behind the story, but I love it for the great bass line.”
A perennial favourite of Peter Allen fans is the song he wrote as a gift to the town of his birth — ‘Tenterfield Saddler’ — regularly requested and performed by Allen’s friends Bette Midler and Olivia Newton-John.
“‘Tenterfield Saddler’ is just one of the best ever songs written,” Danny said.
“As an entertainer, performing Peter’s songs is incredible as every one has a great story.
“It’s my job to tell that story, which is what I love to do.”
In honour of Tenterfield’s most famous son, the Peter Allen Festival plans to close the town’s main street to traffic and rename it Peter Allen Boulevard for the whole of Saturday September 8.
Throughout the day, the thoroughfare will be a celebration of music, art, culture and colour.
Visitors are encouraged to bring their best Peter Allen-themed looks to town and strut their stuff along the high street, which will host artisan markets, musicians and entertainment.
Danny Elliott will feature in three performances of Tenterfield to Rio at the Tenterfield School of Arts, situated right at the heart of Peter Allen Boulevard. The cabaret-style show has proved very popular with visitors, and due to popular demand there will be an extra show at 10am on Sunday September 9.
“The energy and flamboyance of the shows are infectious,” Danny said. “But for me, it’s the connection Peter Allen made with people”.
“Whether in a giant stadium or an intimate cabaret, he connected with everyone in the room.
“I think Peter’s strength was to tell a story. What made him so popular was also the way these great stories were performed. With such high energy, even in ballads, he seemed to have an incredible electricity about him.”
Australian performers Todd McKenney and Hugh Jackman have stepped into Peter Allen’s shoes to perform The Boy From Oz in Australia and the United States, so what was it like for Danny to get to grips with the maracas?
“From an early age I played piano and sang, then went on to learn a variety of different musical instruments.” he said. “As a singer/musician, the two things I’ve had to work on to perform Tenterfield to Rio are the dance and movements, and the fitness to keep it up for a whole show!”
And why does he think people love dressing up? “I think it’s all about the escape. To get out of ‘normal life’ and have a bit of fun,” he said.
“To get out there and express yourself, and your likes, whether it’s a footy team or your favourite singer, it’s all fun!
“I’m already excited about it. Although I think it will be emotional when it comes to singing ‘Tenterfield Saddler’. To be right there, performing songs from Australia’s greatest singer/songwriter/entertainer Peter Allen, it already sends shivers up my spine. I can’t wait!”
WHEN he returned to Australia in 1971, Peter Allen would have been forgiven for wondering if his career in show business was over. But an unexpected piece of family history became the inspiration this boy from the bush needed to succeed on the world stage.
It had been a very long journey home for the ‘Boy From Oz’. Work offers were getting scarce for Peter Allen by the early 1970s. His mentor Judy Garland, who’d opened doors on both sides of the Atlantic for the young performer, was dead. His wife, Garland’s daughter Liza Minnelli, had asked for a divorce.
Allen had been performing for two decades and was at the age when many former child stars find themselves washed up.
His first self-titled album had bombed and gigs to promote it had been hosted by a Manhattan venue known as The Bitter End, which would have seemed terribly ironic to the man who’d been introduced to enormous audiences in the company of iconic musicians throughout the late 1960s.
According to Allen’s biographer, journalist Stephen Maclean (author of The Boy From Oz) it was an offer to perform in Australia that led Peter to “look his past in the eye”.
Ensconced at his mother Marion’s Bondi unit in that 1971 winter, Allen spent hours writing on the rooftop overlooking the ocean.
“One day, while Marion was out at work,” Maclean wrote, “Peter found himself fossicking about the flat. In the course of this he came upon an aged newspaper clipping from his near-forgotten birthplace of Tenterfield.”
The snippet recorded that Peter’s grandfather George Woolnough, whose High Street saddlery was already renowned, had a library at the University of New England named after him.
Memories came rushing at the 27-year-old performer. Key to his life experience to that point was the shooting suicide of his father and the grief that led to his immediate family’s gradual departure from the Australian bush. The fast-paced city had been Peter’s home since the mid 1960s, but his country roots held the seeds of an idea for this budding songwriter.
Emboldened by his modest start in New York, Peter Allen took this family history up to that Bondi rooftop and penned a new song.
‘Tenterfield Saddler’ was the result, a ballad that has bridged Australian bush poetry and international show-business ever since he recorded it in 1972.
‘Applause rolled on and on’
Mixing lyrical rhymes in a tale about long journeys down a country track replete with kangaroos and cockatoos, ‘Tenterfield Saddler’ is every inch a bush ballad in the tradition of Banjo Paterson.
It brings to the fore a lesser-known character in the cast of bush legends: the saddler, responsible for the safety and comfort of your ride, but also a storyteller.
Like all the best bush yarns, ‘Tenterfield Saddler’ has a dark side. In his grandson’s lyrics, the saddler holds the key to everyday life in a country town, but what the George Woolnough couldn’t give were the reasons his son had died at his own hand.
It is the suicide at the heart of ‘Tenterfield Saddler’ that gives it a place alongside one of Australia’s most enduring ballads ‘Waltzing Matilda’. In that song’s climax, the hero of the story, a swagman, drowns himself to avoid capture for sheep rustling.
When Allen recorded his song for the 1972 album of the same name, it made a small splash in the American music industry. But what this quirky ballad did, according to Stephen Maclean, was get Peter Allen noticed as a songwriter.
After a move to California in the early 1970s, despite having the barest of credentials, Peter Allen kept penning songs. He worked hard at his craft with other emerging writers and allowed his work to be recorded by artists on the brink of bigger singing careers.
In 1974, he eventually landed a hit when Olivia Newton-John released ‘I Honestly Love You’, co-written with Jeff Barry.
When he first performed the song live, long before Newton-John’s international number one single, Peter Allen recalled: “Everything stopped. Even the waiters didn’t move. The air was still and when I finished you could have heard a pin drop. Then they all began to applaud and the applause rolled on and on.”
Peter Allen went on to write with a range of collaborators, including Carol Bayer Sager. The two were part of the team that won the 1981 Academy Award for Best Original Song with ‘Arthur’s Theme’ from the soundtrack of the Dudley Moore film Arthur.
But Allen’s bush ballad ‘Tenterfield Saddler’ eventually took its place in the annals of songwriting. As Peter Allen’s fame saw him tour internationally, it became an audience favourite and graced the Australian charts multiple times. Bette Midler famously requested it every time she saw him perform.
And songs about travelling became a Peter Allen hallmark. By the time of his enduring 1980 ballad ‘I Still Call Australia Home’ the boy from the bush was embraced by a nation.
A quiet country town took its place in popular culture when the song ‘Tenterfield Saddler’ hit the world stage. Now, this northern NSW destination is set to celebrate its Oscar-winning son at an annual festival, starting this September.
According to festival co-directors Josh Moylan and Matt Sing, the idea of celebrating the life and music of Peter Allen and the town of his birth has always been of interest to Tenterfield locals.
“There have previously been a couple of concerts and tributes to the great man, but never a festival dedicated to him,” Mr Moylan said.
“A couple of years ago during a community discussion, there was a push for a regional arts festival in Peter’s name as a gift to the iconic entertainer.”
The new event has taken approximately 18 months of collaboration between the Tenterfield Chamber of Tourism, Industry and Business, the Tenterfield Shire Council and the Tenterfield community, Moylan and Sing said.
The pair also report that support for the event is widespread. “The response and feedback from the locals has been fantastic!” Mr Moylan said.
“We already have a few motels booked out for the weekend, with many other rooms disappearing quickly! There are also many businesses and groups hard at work preparing for how they can add to the celebration.
“This is our inaugural festival, so we want visitors to be blown away by the events, activities and our unique town.”
A Peter Allen tribute concert will headline the event. ‘Tenterfield to Rio’ is written and performed by award-winning entertainer Danny Elliott.
“We are also hosting the ‘Tenterfield Jam Session’, a concert showcasing the amazing talent of Tenterfield musicians, celebrating all-Australian music,” Mr Moylan said.
On Saturday, September 8, the main strip of Tenterfield will be closed and re-named Peter Allen Boulevard for a street party with markets, food stalls, family activities and entertainment. There will also be many satellite events including breakfasts, dinners and tours.
“Visitors in 2018 will be able to join us for what will be the first year of a spectacular regional arts festival.
“They will get a taste of Tenterfield, our arts and music scene,” Mr Moylan said.
Incredible life story
According to the festival co-directors, visitors will also gain insight into the town that impacted the life and music of one of Australia’s greatest performers, and sense what it was like for a young boy with grand ambitions in entertainment to walk the streets of a small country town.
In addition, one of the major aims of the Peter Allen Festival is to platform the work of new talent.
“A young local performer might realise that they too can have ambition to take on the whole world,” Mr Sing said.
Moylan and Sing are keen to underline that Peter Allen’s story encompassed both his major life achievements and his ability to overcome trying circumstances, something that was reflected in his songs.
“What persists throughout Peter’s struggles and successes is that happy, bubbly, energetic and kind demeanour,” Mr Sing said.
“His closest friends and people who knew him or worked with him describe his two traits that never changed: his incredible energy and enthusiasm; and his genuine, kind and loving personality.
“The greatest reason that Peter is known to us, both then and now, is his incredible ability to write great, meaningful and well-loved songs.
“Peter had great skills in encapsulating a story. Each line in his songs had meaning. He would write wonderfully complex and catchy melodies, and would weave the lyrics and melody together to create art.
“He would then deliver it onstage with all his energy and enthusiasm, which would move audiences all over the world,” Mr Sing said.
“To this day his songs remain icons. One of the great examples of this is ‘Tenterfield Saddler’, a song full of meaning that was a gift from Peter to the town where he shared so many childhood memories.”
The Peter Allen Festival is already planning events beyond 2018, with the aim of fostering existing local groups and industries.
“The 2019 festival will build on this year’s event, introducing workshops held all year in craft, music and entertainment, event organising, sound and lighting,” Mr Moylan said.
“A flagship festival is planned for 2020. We aim to bring a major headline act with a connection to Peter Allen to Tenterfield.”