Category Archives: Write regardless!

The Book Tour Survival Guide

THERE ARE MANY ways to tour a book: author talks, writer’s festivals, in-store signings, literary conferences, book launches, in-conversations, library appearances, etcetera.

Authors ignore such events at our peril, although the major challenge is getting readers to even hear about our books in a saturated marketplace, where some publishers are claiming there’s too many new releases in this country.

One solution is to hire a publicist.

At a big-city writer’s festival the year that my debut novel was released, a very successful author leaned over to me at the bar. “Your book is everywhere!” they whispered. “Who is your publicist? I want to work with them.”

When I pointed to my chest, their jaw hit the floor; but I took it as an indication that my DIY approach was effective.

Publicists rightly earn good money for getting an author’s book into the path of readers (here’s some insight on salaries for all key players in the book trade). Maybe I’ll work my way up to affording a publicist down the track?

If you’re still reading, you probably can’t afford to share your hard-earned royalties either. So here’s my gift to you: how to tour a book without getting ripped off or embarrassed.

Plan ahead

At least six months before your publication date, get your marketing materials together. Don’t panic if your publisher’s Advance Information Sheet (AIS) isn’t quite ready. Rustle up your own stand-in, even if it doesn’t have a final cover image. Include a description, a couple of endorsements about you and your work, the publication date, the ISBN and start approaching bookshops and/or libraries about hosting a launch. If you have no endorsements, get one from your publisher explaining why they picked up your manuscript and that they’re excited about publishing it. If you’re self-published, approach a wordsmith in your genre and ask them for a quote about you and/or your writing.

Planting seeds in bookshops

Right now, there’s likely to be someone on staff in bookshops and libraries who manages events, very often they’re more contactable via social media messaging than email. Send them your AIS and ask about the possibility of a book event! It’s increasingly common for authors to head into bookshops and libraries well ahead of our publication date. For emerging authors particularly, this is a way to plant seeds about our upcoming books, and can assist our distributors (who are less likely to be on the road and more likely to be emailing or messaging bookshops) by making an impression about a new release.

Bookshops are busy

Particularly at lunch hour and, for big-city and suburban outlets, after 5pm. Make a time to come in (if you can), but don’t expect a lengthy audience with anyone. More than five minutes is a bonus. Be aware of any customers waiting to be served, and stand aside for them. Leave your AIS and a positive impression. Be prepared to be assertive about your right, as the creator of books, to be in a bookshop doing book business. When your distributor approaches that shop, your seedling will already be above soil level. If they already have, your visit is another chance to get attention on your new book.

Libraries bear fruit too

There’s no harm in supporting your distributor by alerting library networks about your upcoming book. Keep a few AIS sheets in your car and drop one into libraries when you travel. In Australia, we have the Lending Rights Scheme, which allocates micropayments to authors every time our books are borrowed. Libraries very often have event programs too, and many pay authors to appear.

Get a paid gig or two

While you’re in the planning phase, particularly if you’re thinking of touring to a city, look out for literary events to submit yourself and your book for. The organisers may be very grateful to be approached, since you’re going to be in their location anyway. Garnering a few appearance fees along the way is a great way to self-fund your book tour.

Recruit allies

Invite fellow wordsmiths to front up with you at your book events: the authors, journalists, academics and librarians who live in the region you’re touring through. Someone will be very happy to interview you, particularly if the bookshop you’re appearing at stocks their books, too.

Use pencil in your diary

Because the dates of your book tour are going to change, likely more than once. If you have given your plan enough lead time, these shifts will not matter. Stay agile as your itinerary comes together.

In-store signings

Think small table near the bookshop counter, a stack of your books on it, or – heaven forbid – sitting out on the street waiting for customers to give you time and attention. Only for the brave. You might sell a few books. You might sell none. In-store signings work for some, but an event at a bookshop can be more worthwhile and less anxiety-filled.

Tell everyone

When you have your book-tour itinerary planned, start the massive job of spreading the word. Tell everyone, literally. There’s nothing like a personal invitation to an event as opposed to just scrolling past something on social media; but paid social media boosts have worked for me when promoting library events. Contact radio stations in the area where you’re touring and send a press release with your AIS, and a free copy of your book as a listener giveaway!

We all have ‘that awful story

Last year, I dropped into a small bookshop, and once the sales desk was clear of customers I introduced myself to the one staff member as an author with two new books about to land in the supply chain. Instead of the expected welcome, she freaked out, hands waving right in my face, loudly repeating, “No, no, no!!!” It was such a shock, and I tried to explain myself but she just wasn’t interested. Maybe she was hungry? Maybe she needed to use the bathroom? Whatever … her reaction was awful, and delivered loudly enough for customers to notice.

The mental health thing

If the above incident had happened in my twenties or thirties, it could have been quite damaging. Being an author whose debut novel came out in my middle-age has made me more resilient. I quickly regathered my composure, and rang my husband. We had a good laugh and moved on. Have allies at hand when book touring, to help protect you from the unexpected challenges. Such moments are very much the exception. Most booksellers and authors realise that we need each other and that we’re working towards the same aim: reaching readers.

Sometimes, people just don’t turn up

During my last book tour, a fellow author posted a picture of an empty chair on social media, taken at their suburban book event to which nobody came. I’ve done my share of events best described as “intimate”, but I came up in the trenches of the theatre, where there’s an old rule about the show only going on if the numbers in the audience are more than the cast. When you strike a no-show or a low-show, please don’t have a shame spiral. It’s a rite of passage in every author’s life.

The skittish venue

Sometimes, the host library or bookshop will cancel your event ahead of time, even days before. There are good reasons: staff rostering is the one usually cited. Roll with it. If it leaves a hole in your itinerary, try another venue, or have a night off!

Go places you like

It’s your tour, so treat yourself along the way. A scenic walk, a swim, a picnic, or a visit with a friend. I live in the bush and don’t get to cities very often, so I combine book touring with visits to family and friends, gallery and theatre visits, ocean dips and laps at local pools. It all helps take the edge of the inevitable anxiety of putting myself out there.

Travel with friends

In recent years, authors have been going out into the wild in pairs. Usually from the same publishing stable, this tandem approach saves money and resources (particularly fuel) and offers libraries (particularly in the regions) a double-barrelled event to promote to their members and visitors.

Practice your signature

Particularly if you’re a debut author! When someone has made time in their day to come to your talk, bought your book and waited to have it signed … and you give a literary flourish instead of a smudged scrawl, you will have achieved book tour perfection!

Book tours never really end

If you don’t believe me, take a look at mine. It started in October, 2021 and probably has at least one upcoming event at any given time. I figure that when my publisher and their distributor have stumped up the money to get my book into the supply chain, the least I can do is get out there and meet readers.

I’ll be giving my book marketing workshop ‘Back Your Own Book’ at Queensland Writers Centre on Saturday August 22. Contact QWC for booking details.

For more tips about promoting your book, whether you’re traditionally or independently published, check out my book Write, Regardless!

Main picture: Michael Burge and Hayley Scrivenor at Qtopia Sydney for the Eastern Sydney launch of Dirt Trap

‘A fearless reckoning’: Dirt Trap set for November release

MIDNIGHTSUN PUBLISHING HAS acquired world rights for Dirt Trap, the sequel to my rural noir debut Tank Water.

Publisher Anna Solding recently announced the news in Books + Publishing, Australia and New Zealand’s book trade paper.

“Fans of Michael’s Tank Water will be delighted with Dirt Trap as all the signature tension and intrigue continues, two decades on from the year that his debut was set,” she said.

Dirt Trap will no doubt also attract new fans to the rural setting where prejudice lingers against anyone slightly different. 

“Michael has spun a new story that works as a standalone crime thriller and an exploration of justice for the loved ones left waiting after gay-hate crimes were swept under the rug.

“Readers who encounter Dirt Trap first can then read Tank Water as a prequel,” Solding said.

“The inimitable wry voice of main character, journalist James Brandt, is juxtaposed with two strong female voices in Sergeant Therese Lin and podcaster Rita Dillon.  

“We can’t wait to share this exceptional new novel with you.”

Edgy Books

Described by crime novelist R.W.R. McDonald as, “Crime fiction at its most vital,” the award-winning author of The Nancys said Dirt Trap is, “A fearless reckoning with queer history and institutional failure.”

I’m very grateful to Rob. It’s a wonderful validation to get such a supportive early endorsement for a novel, and I’m always fired-up about working with MidnightSun.

Anna and her team create beautiful, edgy books that tell important stories.

Her company is a truly independent outfit that punches well above its weight, and I’m elated to be continuing the storytelling cycle we started with Tank Water.

The inspiration behind Dirt Trap came from a Tank Water reader’s question, about how the rural Brandt family of my first novel would have coped with the long-running NSW special commission of inquiry into LGBTIQ+ hate crimes.

I started to type my answer when it struck me that there was a novel in it.

While reporting on that world-first inquiry into gay-hate crimes, I’d interviewed surviving family of some of the men caught up in the crime wave, and I’d witnessed their resilience and grief first-hand. It felt critical to explore these themes in fiction, which allows an emotional depth that’s not often possible in journalism.

Dirt Trap is set for a November release, distributed by NewSouth Books

Mystery Tour of Market Basing, Agatha Christie’s Mare’s Nest

The first stop in a new series of literary excursions explores how the Queen of Crime created a rural rabbit hole to augment her oeuvre


NOT FAR FROM genteel St Mary Mead where Miss Marple resides, less than two hours by car from Hercule Poirot’s London pad, is an essential crime readers’ destination that even staunch fans of Agatha Christie have probably forgotten about.

As the name suggests, Market Basing is a typical English market town. The wide central square is the main clue about that, although a slow tractor on any road approaching the place will likely be your first encounter with local farmers.

But Market Basing is no backwater: Christie delved into the district regularly throughout her oeuvre.

Poirot and his sidekicks Captain Hastings and Inspector Japp took a short break there in the 1920s; and Poirot and Hastings returned in the 1930s. Superintendent Battle worked a case linked to the town in 1929. Miss Marple probably never went, but she did know of a bus conductor who serviced the St Mary Mead to Market Basing service in the 1950s; and amateur spy duo Tommy and Tuppence Beresford got embroiled in a scandal there a decade later.

SALES SQUARE: Shrewsbury, an English market town

With its growing outer-urban population, the town has a general hospital (which features in Crooked House, 1949). There’s a police command (called upon in The Secret of Chimneys, 1925); a thriving high street (which inspired a shopping trip in The Seven Dials Mystery, 1929), and Hellingforth Film Studios (a key location in The Mirror Crack’d from Side to Side, 1962) is just six miles away.

But the town’s perennial industry is real estate, and the streets are replete with busy agents offering desirable farms, manor houses for rent or purchase, and large tracts of land.

Some reckon Market Basing is Christie’s stand-in for Basingstoke in Hampshire, or an homage to her final home in the Oxfordshire village of Wallingford; but true fans know full well the township is actually in the county of Melfordshire, and if you don’t know where that is you have some reading to do.

Nobody Knows Us

Start with Christie’s 1923 short story The Market Basing Mystery (published in Poirot’s Early Cases, 1974) in which Poirot, Hastings and Japp take a weekend away from the London rat race.

The story opens with a hearty pub breakfast while Japp celebrates the benefits of a gents’ country break in a place where, “Nobody knows us and we know nobody,” he says. Hastings is narrator and he makes deft observations about men, appetites and rabbits before the renowned sleuths are called on to investigate a local locked-room mystery.

Most of the action in Dumb Witness (1937) takes place in Market Basing after local spinster Emily Arundell writes to Poirot, apparently after her death. The Belgian detective recruits Colonel Hastings to drive him out to the town on the scent of a clever poisoner Poirot refers to as a rabbit.

A generation after World War Two, the progress of Market Basing can be observed by joining Tommy and Tuppence Beresford in By the Pricking of My Thumbs (1968), an intriguing chase that begins in a nursing home and leads back to Market Basing, flushing out several hares responsible for missing women, jewel heists and derelict houses.

It’s here, in the last decade of Christie’s life, that she may have left clues about a rather brazen rabbit hole at the core of English country life.

Ending Nowhere

Analysis of Christie’s massive literary output often draws accusations of lacklustre storytelling. Crime author Robert Barnard’s review of By the Pricking of My Thumbs is one example:

“Half-realised plots and a plethora of those conversations, all too familiar in late Christie, which meander on through irrelevancies, repetitions and inconsequentialities to end nowhere (as if she had sat at the feet of Samuel Beckett).”

I suspect Barnard missed the point of a novel that employs meandering, memory loss and ageing as major themes; but love or loath her work, Christie was a shrewd observer of English society and documented what she perceived as its decline in the late 20th century.

She was careful to add a new county name – Melfordshire – for the setting of By the Pricking of My Thumbs, considering the changes she witnessed under the Local Government Commission in the mid-1960s; and the threat of a dormitory town being built on major landholdings in the Market Basing district in that novel.

But the Queen of Crime could be accused of a major plot hole in her collected works when she gives Poirot and Hastings absolutely no recollection of their 1923 weekend in Market Basing when they revisit the place in 1937.

Did Dame Agatha simply forget her earlier work, or are we supposed to take this crime fiction author as she presents herself, alleged ‘errors’ and all?

Rather deliciously, if we do take her at her word, Market Basing becomes even more sinister than it first appears.

Awful Things

Let’s start with a fact: Hercule Poirot rarely, if ever, forgets.

Since neither he nor Hastings refer to their 1923 weekend in Market Basing while revisiting the town twice during 1937 in Dumb Witness, they must be avoiding the memories for a reason.

RABBIT HOLE: Collection of Rabbits and Hares, 1897

Could it be embarrassment, an “I won’t mention it if you don’t” pact? Clues lie in Hastings’s 1923 pub brekky musings from a Belle Époque poem with suggestions of depravity.

“That rabbit has a pleasant face,
His private life is a disgrace.
I really could not tell to you
The awful things that rabbits do.”

At first glance, Hastings, upstanding gentleman that he is, appears to be comparing Market Basing’s residents to randy, big-eared, four-legged herbivores. But the depravities he euphemistically refers could be those of the men around the table.

Read the opening page of The Market Basing Mystery through this lens and the hearty breakfast devoured after a night in a town where “nobody knows us” has the vibe of the morning after a boys’ night out.

None of the men reacts to Hastings’s rabbit reference. Japp actually changes the subject back to the food. The trip was all his idea because he’s “an ardent botanist” able to reel off the botanical names of “minute flowers”.

But what if Japp’s botany is a way for a Scotland Yard gumshoe to describe his weekend predilection for plucking specimens of the two-legged variety?

If so, it’s hardly a surprise that Poirot and Hastings never again mentioned their lost weekend in Market Basing.

Specimens in the Hedgerows

Four decades on from this short story, Christie returns to the botany of Market Basing in By the Pricking of My Thumbs when Tuppence Beresford meets the vicar of Sutton Chancellor (a village in the parish) who is searching for a lost headstone in the churchyard in 1968.

At that stage, the novel is shaping up to be a beguiling, sinister tale with references to clandestine outdoor trysts, pretty young women visiting strangely empty houses and “getting into trouble”, and a serial killer who attacks girls in the woods.

So when Tuppence asks about one particular house, just like Japp in 1923 the vicar changes the subject: “… you can find quite rare specimens. Botanical, I mean,” he says.

Tuppence refuses to be fobbed off by botany, but all the talk of flowers in the hedgerows along the lonely roads around Market Basing in the 1960s might be coded language from a devout man warning Tuppence of local “goings on”.

Masterful Illusion

Rabbits and hares, flowers and hedgerows… if it all sounds like a mare’s nest, that’s because it’s supposed to.

Read Christie’s three major Market Basing stories in sequence and you’ll see the masterful illusion she wove around this district. There are no spoilers to be had (Christie took great care in that regard), but you’ll be one step ahead of Tuppence Beresford in the 1960s throughout By the Pricking of My Thumbs when you’ve had a taste of the town’s depravity from the 1920s in The Market Basing Mystery.

It’s now over half a century since Market Basing last cropped up in crime fiction. Since then it’s no doubt been absorbed into another county, the hedgerows have been bulldozed, and several dormitory towns raised and renovated many times over.

But you can still enjoy the botanical ‘specimens’ and ‘wildlife’, now you know what you’re looking for.

Main image: A Hare in the Forest, Hans Hoffmann, c.1585 (Getty Museum)