LEAVING a mark on history is usually the result of courage, but it always starts by simply making a stand.
Since 2009, Michael Burge has written about single-minded individuals who faced fear, grief and oppression, yet went through with defiant acts of social and cultural rebellion.
Pluck is Michael’s re-examination of several divas, dilettantes, groundbreakers, chameleons, rebels and heroes faced with crossroads, comebacks and reinventions.Many of them got a very bad name in the process, or had their motives shrouded in mystery.
This fascinating collection reveals new perspectives on fame and sheds a timely light on lives which may never be acclaimed, yet went where angels fear to tread.
Extracts from Pluck.
“Remembering Orry-Kelly comes with a pretty big Hollywood revelation, one which has undoubtedly contributed to his relative anonymity in the country of his birth, because Kiama’s forgotten son knew another Hollywood icon, loved and lived with him, long before they both made it big on the silver screen …” from Orry-Kelly – the costume king from Kiama.
“Altering the plot of Pride and Prejudice by one degree would expose prospects for Georgian women which Jane Austen might never have contemplated. Kill-off Mr Bennet in the feared duel over his daughter Lydia’s elopement, and his women might land in the same boat as Mary Pitt and her five children, on a factual voyage from Dorset to New South Wales in 1801 …” from Grit and Gentility.
“A human side to this seemingly untouchable superstar.”
“It was reported that Whitney Houston had apologised to fans during a live show for not being able to reach the signature high note towards the end of her most famous song, which was odd not because an apology seemed so honest, but because this was Whitney Houston, ‘The Voice’. It showed a human side to this seemingly untouchable superstar, but in hindsight it was an indication that an extended silence was on its way …” from Houston we had a premonition.
© Michael Burge, all rights reserved.