THE COVER OF my debut novel Tank Water is ready to share with the world!
Created by Kim Lock, lead designer of MidnightSun Publishing since 2013, this cover stood out from the group of samples I was sent, and didn’t need much tweaking at all.
Life-giving water captured in tanks comes from rainfall, so the approaching storm in Kim’s design is apt, but it’s also prescient. Facing it is a young person, who could be any one of several characters.
The railway causeway says everything about the rural decrepitude of the novel’s country setting. The person on it is walking into the storm, whereas flocks of birds are escaping in the other direction.
Yet there is hope in the light at the horizon… and the neon-strong pink should flag to those who know me that this work is like just about everything I write: bursting with messages of equality.
Tank Water will be published in October 2021 and is available for pre-order on Booktopia and Amazon.
Pre-ordering assists a book’s launch because pre-ordered purchases are counted in a title’s first week of sales, the strength of which can generate positive buzz about a book… so if you feel like buying your copies ahead of Tank Water’s release, you’ll be helping us!
My novel will also be available in bookshops nationally. Stockists will be able to order it in for you, if you’d like to support your local.
Soon, I’ll be releasing dates on a year-long book tour, with dates in Brisbane, Sydney, Canberra, Melbourne and more!
See you out there on the road. Meanwhile, thanks Kim (an author in her own right with a new book out this month), you really ‘got’ my story!
I RECENTLY FRONTED a music hall; an old-school, East-End-of-London line up of rollicking romance replete with all the requisite roister-doister of an era long gone.
How did this happen?
Well, truth be told I tried to get out of it. Twice. It had been fifteen years since I’d trodden the boards of any theatre and part of me wondered if I could still cut it in front of an audience. So I let it be known that the part of Eric von Schneider, master of ceremonies, was up for grabs… but no man in the Deepwater region of NSW would take on this pivotal role. It was up to me to play the lecherous ladies man!
The Deepwater Players have performed a piece of community theatre every couple of years since 1981, when much-needed funds for medical equipment could be raised in no other way. Across those decades, high-school teacher Jenny Sloman has directed the shows, and this year she handed over the reins to Richard Moon (who happens to be my husband… maybe that’s how I got the part?) to make his directorial debut.
The troupe stages its work within the Deepwater School of Arts, a late-Victorian country hall with a proscenium stage that we transformed into the Whitechapel Music Hall Theatre. Community volunteers did everything from feeding audiences to performing the show!
People flocked from across the region. Some even came from Brisbane, Sydney, Byron Bay and the Gold Coast to see us sing, dance and move our way through music, lyrics and steps from Noel Coward to Lady Gaga and Kenny Rogers!
Thanks to Max S. Harding having a camera at a central table, images were captured (please note: despite wearing an extremely convincing wig, it’s not my real hair!).
Phantom of the Music Hall was written in 1996 by Australian playwright Judith Prior and is bursting with comedy of highly questionable political incorrectness. Nevertheless, it manages to say something about diversity.
It’s the story of a misunderstood Phantom (played by Chris McIntosh) who doesn’t like pantomime but stalks the wings of the Whitechapel Theatre, spooking the cast and crew.
Ambitious new owner Mrs Worthington (Katie Newsome) is convinced that pantomime is the way to make money, and is madly pushing actors with questionable abilities – because all of them are actually the backstage crew – including stage hands Charley and Fred (Cath Wheatley and Charlie Coldham), stage manager Arthur (Denis Haselwood), and wardrobe mistress Martha (Jen Lanz) to rehearse Cinderella. Her daughter Millicent Worthington (Monica Newsome) pluckily plays the lead role despite an early encounter with the Phantom that leaves her rather dazzled.
After Queen Victoria (Helen Grant) makes an appearance at the Whitechapel Theatre, things start to come undone like Millicent’s seams. Eric Von Schneider tries one too many moves on the talent – Daphne de Lace (Catie Macansh) – who refuses to go on if the dreaded Phantom makes an appearance.
The efforts required to convince this spectre that a fairytale is in fact a melodrama create a night of hilarous Cockney-themed comedy, proving that we all see things differently, even ghosts and queens!
If you were in the crowd, thanks for coming to support our show.
Phantom of the Music Hall, May-June 2021 by Deepwater Players Deepwater School of Arts Director: Richard Moon Producer: Jen Lanz Designer: Michael Burge Choreographer: Lindy Alt Stage Manager: Mari Grantun Cast: Charlie Coldham, Helen Grant, Denis Haselwood, Jen Lanz, Catie Macansh, Chris McIntosh, Katie Newsome, Monica Newsome, Cath Wheatley, Michael Burge Chorister and Soprano: Christine Davis Featuring: Deepwater’s Cool Choir Lights: Peter Sloman, Rob Wheatley, Jenny Sloman Thanks to all behind-the-scenes, front-of-house, kitchen and bar staff and the Chapel Theatre Glen Innes for the loan of costumes, props and sets
IT FEELS LIKE a lifetime ago that I embarked on my dream to write a novel and have it published. In fact it is… in 1988 I received the first of many rejections over three decades, for a Young Adult novel I wrote when I was 15.
If anyone had told me I would wait thirty-three years to see my first novel in print, I would probably have taken myself off to acquire a trade with a better strike rate for success.
But I never came close to giving up. Was it grit, ego, refusal to accept that my storytelling might be unworthy, or a combination? I’m not sure, but I will undoubtedly write about it one day because that’s how I am hard-wired.
Here is the announcement about my coming-of-age thriller set in rural Australia – Tank Water – from Books + Publishing, March 26 2021…
MidnightSun acquires Burge debut novel
MidnightSun Publishing has acquired debut novel Tank Water by Michael Burge, a story of homophobic hate crimes and the dangers of growing up feeling different in rural Australia.
Burge met MidnightSun publisher Anna Solding at a pitch session hosted by New England Writers Centre in 2018.
‘From the first time I met Michael, when he pitched his manuscript to me in Armidale, I’ve known that Tank Water is an important Australian novel,’ said Solding, adding that ‘it delves into themes that don’t often appear in our national literature’.
‘Through the taut and haunting narrative spanning two decades, Michael articulates what it can be like to grow up gay in the country and how prejudice and hate crimes are an extension of people’s fear of difference. We are so honoured and proud to be publishing this book.’
Born in the NSW New England region, Burge returned to live there in 2017. He said Tank Water has a fictional rural setting and is not based on any one case.
‘In the country, there are many stories about gay hatred leading to extremes of violence, and fiction is a way to start the difficult but necessary process of telling them at a relatively safe distance. I’m so excited and grateful that Anna acquired this tale about how three generations of a country family deal with toxic masculinity and must dig very deep. Taking a risk on such edgy subject matter is a testament to MidnightSun’s vision.’