All posts by Michael Burge

Journalist, author, artist

Go beyond the like button (you know you want to)

“Westerners have lost touch with one of our strongest power bases: we are consumers.”

PROGRESSIVES internationally are being hit with some hard facts, from the reality of the United Kingdom’s vote to end its politico-economic links with the European Union (EU); through the rise of Donald Trump as the Republican United States presidential candidate; to Australia’s problem catching up with both nations on the human rights inherent in Marriage Equality.

It’s become impossible to participate on social media without also being hit with online petitions.

“But is it realistic?” I saw one concerned Remain voter ask her Facebook friends, of yet another public vote attempting to reverse the Brexit result.

It could be, I wanted to reply, if only you’d just sign it.

But I didn’t write that response (I just said “sign them all, in only takes a few minutes”) because we keyboard warriors and slacktivists get very sensitive about doing much more than ‘liking’ stuff.

Liking is good. It’s a show of hands sweeping through our Facebook feed, but let’s be real for a minute: Liking really achieves nothing. No-one has to show up. At best, it’s little more than virtual loyalty over morning coffee.

I was reminded this week (by another Facebook post) of the principles of the civil rights movement, and the way it continues to define change in Western nations where politicians and corporates have stymied communities and left us feeling speechless and disenfranchised.

Rosa Parks on a Montgomery bus on December 21, 1956, the day Montgomery's public transportation system was legally integrated.
BACK SEAT BOYCOTT Rosa Parks on a Montgomery bus on December 21, 1956, the day Montgomery’s public transportation system was legally integrated.

I also reminded myself of some fundamental tenets of most democracies, proven long before the social media came along. People generally have the right of assembly, demonstration and petition – that is, we should not fear meeting, protesting with and canvassing other members of the public for common views.

From the Montgomery Bus Boycott triggered when African-America Rosa Parks refused to give her seat up for an Anglo-American passenger in 1955; to the Sudanese Civil War Sex Strike, when Samira Ahmed encouraged wives to abandon sexual relations with their husbands until the second Sudanese Civil War ended, people have been taking relatively peaceful, simple stands to enact lasting change.

It was a pamphlet distributed by community leader Jo Ann Robinson that reminded African-Americans of a mathematical reality – that they were the majority of Montgomery’s bus ticket-buying marketplace – and they reacted with courage. Bus travel was out, replaced by car-pooling and other simple efforts actioned by individuals, and by 1956 the Montgomery racial segregation laws were ruled unconstitutional.

It’s never completely simple, it’s never totally peaceful, yet withholding what a large number of people want has proven to move mountains, particularly when what they want is our money.

“International corporate and individual brands are already making such decisions easier for consumers.”

Perhaps it’s the weight of all our first-world problems, but Westerners have lost touch with one of our strongest power bases: we are consumers with an array of choices when it comes to everything from the weekly groceries, to clothing, entertainment and countless other products and services.

Nationalistic movements like Brexit, populist candidates such as Trump, and human rights outcomes linked to a nation’s economy (Malcolm Turnbull’s commitment to spend $160 million on an unnecessary plebiscite on Marriage Equality) leave themselves wide open to economic boycotts.

The internet makes it relatively easy to find where products originate and which corporates support or political candidates and movements. Some are politically savvy and hedge their bets, but most are not.

In just a few clicks, you can choose between banks, department stores, communications companies, financiers and even restaurants that support causes you’re aligned with.

In just a few well-directed emails, you can ensure other companies know why you’re making the choice to spend your money with their competition.

Although sites are cropping up that make it very easy, there’s no need for blanket bans on buying British or American products – remember, not everyone in the United Kingdom wanted to leave the EU and not everyone in America is voting for Trump.

Harry Potter creator J.K. Rowling went public on Brexit.
HARRY’S WAY Harry Potter creator J.K. Rowling went public on Brexit.

But one of the most powerful things you can do is to ask a simple question of the management in these companies. Are you supporting Trump? Do you want to leave the EU?

They’ll be affronted, no doubt. They might not even give you a clear answer, but it’s your money, right? You get to choose where you spend it.

International corporate and individual brands are already making such decisions easier for consumers. Richard Branson came out early as a Remain supporter in the Brexit fallout on behalf of Virgin Group. British celebrity chef Jamie Oliver likewise made his Remain stance crystal clear for his followers.

One of Britain’s most lucrative (and nationalistic) cultural exports of the past two decades is the Harry Potter brand, yet Harry Potter wants to stay in the EU! Author J.K. Rowling is one of the highest-profile Remain advocates in the unfolding Brexit landscape.

Silicon Valley CEOs went public earlier this year about their concerns over Donald Trump’s presidential nomination. Large US retailers, media outlets and sporting and cultural events led the way a year ago.

A snapshot of Australian corporates that support Marriage Equality.
CORPORATE BACKING A snapshot of Australian corporates that support Marriage Equality.

National Lobby Group Australian Marriage Equality has published a growing list of more than 1000 corporate entities that support changing Australia’s Marriage Act to allow equal access to same-sex couples. I’ve been using it for more than a year to make high-street choices that sit better with my equality activism.

Consumer boycotting often gets negative attention, amid suggestions that it’s ineffective, or a form of trade protectionism; whereas in actual fact, it’s already proven itself to have deep impact at the highest corporate level in Australia.

Australian telecommunications giant Telstra wavered on its public expression of its support for Marriage Equality in April this year, reportedly under pressure from Christian organisations threatening a boycott of Telstra services across Catholic organisations.

But the consumer backlash was fast and profound, and Telstra was forced to reassert its public support for legal reform of Australia’s Marriage Act.

There’s a whole world of consumer boycotting going on – check out the site that claims to be: “The most comprehensive English language list of progressive boycotts”.

There isn’t a ‘dislike’ button on the majority of social media platforms. Facebook has no plans for one. If there was, social media shareholders might lose their grip on this lucrative new wave of media – and millions in advertising revenue – when participants grow sick of their thoughts and opinions garnering the type of protests that a thumbs-down would attract.

Perhaps that leaves some hope for progressive politics? With no way to give the thumbs-down at the keyboard, the only thing left – if you’re still frustrated – is to do something.

© Michael Burge, all rights reserved.

Nora Ephron’s all-you-can-eat primer

A writer’s review of The Most of Nora Ephron.

“Read this book as an affirmation of whatever education you’ve had as a wordsmith.”

DON’T let Nora Ephron into your head. If you’re a writer she’ll make you a better one, but she’ll never leave (and she’ll raid your pantry).

That’s an Ephronesque lead paragraph, a mix of her well-honed schtick and common sense. Whenever she could add food to her mix of politics, family, lifestyle and popular culture, it was, literally, the icing on Nora’s cake.

This collection of articles is essential reading for journalists. Positioned as she was between old-school newshound and 21st-century blogger, Ephron is the bridge to a use of language that is so well-entrenched now we hardly know why we use it anymore.

She’s the fairy godmother of blogging, one of the first who lived long enough to blog, unlike similar NYC denizens such as Helene Hanff.

Read this book as an affirmation of whatever education you’ve had as a wordsmith.

Most of my generation first encountered Ephron through her screenplays. Silkwood burst into my consciousness as a series of whispers about “the lesbian room-mate” (played by Cher) in a powerful story about injustice and corporate crime. The far lighter Heartburn, Ephron’s barely veiled look at her own failed marriage, told the awful truth at the peak of the 1970s divorce wave.

By the time of When Harry Met Sally, Ephron’s place as a powerful observer of human relationships was secure, a master of using comedy to explore the dark places.

17316511But The Most of Nora Ephron will catch you up on what she did in between these major successes.

Like all great writers, she couldn’t put her pen down. “Everything is copy,” is the writerly mission statement Nora’s mother drilled into her, and this collection, despite being fairly weighty, is replete with Ephron’s light touch when reporting from the frontline of her own life, and there were many battles.

Reading it is like a visit from Ephron herself. She’ll remind you of your mother because she already taught you how to speak, and write, and live. You’ll try putting it down, but it’ll still be there, and Nora will be ready for you.

Interestingly, there is nothing in this collection about Julie & Julia, Ephron’s last screen project (and her best, in my view). It’s clear that had Julie Powell not blogged about cooking her way through Julia Child, Ephron would have done it.

She was born to bring Powell and Child to the screen in the perfect blog-meets-biog-meets-foodie-heaven project which charted the creation of thousands of entertaining and life-enlarging words.

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It’s peppered with enough politics, feminism and food to keep anyone’s eyebrows raised, so this collection won’t disappoint. Where it covers life’s vagaries, it’s also unforgettable.

She’s in there anyway, so just let Nora into your head all over again.

© Michael Burge, all rights reserved.

This article appears in Michael’s eBook Creating Waves: Critical takes on culture and politics.

Writer, polish your publication!

“This is your chance to make your hard literary work shine!”

AT the pointy end of independently publishing a book, creative decisions come rushing at us from all directions. The pressure is on to have everything ‘perfect’ and ready, but don’t be fooled into thinking that’s the way it is in the book trade! Traditionally published books go through plenty of trial and error on their way to bookshelves. Here’s some tips about getting the look and feel of your book right, including the most controversial… your book cover.

Sense of entitlement

Writers love to dream up brilliant book titles that inspire our writing process, but we’ll often fight like cornered animals at the very suggestion of letting those ideas go. After all, our books are unique brainchildren, so the names we give them are incredibly personal; but as a book is approaching publication, and a final title needs to be settled on, remain open to alternatives.

Revive the Thesaurus

Beta readers are often the key to great title ideas. They are invariably our books’ first readers and can usually identify our themes more clearly. One of the best ways to spark title ideas is to ask beta readers to name a few keywords that came to mind as they read our manuscripts. Look these up in a thesaurus and you’ll soon see there are many ways to say the same thing, using several incredibly unique words to do so.

tumblr_o801mkmK6m1vv9h5to1_1280Book trade wisdom

The international marketplace is the best place to identify book title parameters. Long titles (more than six words) can struggle to maintain visual presence in online book sites, although there are plenty of successful examples, like Mark Haddon’s The Curious Incident of the Dog in the Night-Time (2003). Many successful series rely on a short ‘master’ title, like the Twilight series, allowing varied and often longer sub-titles. Non-fiction books traditionally require straplines, a form of sub-heading. 

Title theft!

We all want to be original, but chances are there are other books out there with the same or similar titles as ours (there will be at least one other writer with your name, also!). There is no copyright on titles. Somewhere between accepting everything is unique but few things are original, your book will find its place. Don’t call your American Civil War novel Gone With The Wind, of course, but don’t stress about similarities with other books and authors.

Judging a great book

The overwhelming majority of readers will judge your book instantly on its cover. Googling ‘book covers’ will lead you into internet nightmare country: everyone has an opinion in this highly contentious space. My advice is to keep things very, very simple. Engage a cover design artist or work up your own cover on software like Photoshop or Canva. The basic version of Canva is free to use, with templates and very low-cost elements for sale within it (such as images) to make perfectly good eBook and paperback covers.

Screen shot 2016-06-16 at 3.00.26 PMKeep it simple

One strong image, one point of focus. Less is more on an effective book cover.

Size matters

Books are invariably sold with only the front cover at thumbnail size on desktop or mobile screens. The cover image and typography need to work effectively at that tiny scale. If buyers cannot read your cover, or get something from its imagery, they’ll keep looking.

Where’s the edge?

Most online booksellers and printed book catalogues display book covers against a white background. If you want your cover to stand out, make sure it’s got solid edges. White or light covers will tend to disappear.

A designer relationship

If you’ve got strong ideas about your book cover and can operate basic computer software, it’s probably best that you design your own cover. Expecting to pay a designer to merely push buttons for you while you muck around with ideas will drive you both insane and cost you a lot of money. If you have no visual skills at all but you’re excited by the prospect of what an experienced creative will come up with, engage a designer by agreeing on price, time scale and outcomes beforehand.

“Your designer may come up with the winning idea at the very last stage of design.”

What to expect from a cover designer

It’s acceptable to expect that a designer will come up with an initial range of ideas for you both to choose a general design direction from; it’s also acceptable for a designer to argue their case with you – always stay open to ideas that come out of the blue. Designing is a creative process, just like writing, so accept that your designer may come up with the winning idea at the very last stage of design, just like your manuscript takes best shape close to the end of the rewriting process.

Picky clients pay more

If you keep making changes, expect to be charged. Good designers accept there will always be some amendments – three free alteration sessions is the standard (and appears in traditionally published book contracts) – but if you take the piss, it’ll appear on your bill.

What a designer will expect of an author

Time. Nothing great ever came from a rush job. Furnish your designer with complete, accurate cover copy (title, author name and blurb) that will not require any changes to be made; and a cover template (with your book’s unique barcode). Basic respect for their process should be a given, but it’s unfortunately quite rare. You might have spent years on your book, so an effective ‘face’ on it will take weeks or months to get right.

Ebook covers

Your online publishing platform will supply you with the correct dimensions for creating your eBook cover, which will be the equivalent of just the front cover of a printed book (no spine, no back cover, no barcode). Check this great video on how to use Canva to create an effective eBook cover.

Paperback covers

Your print on demand (POD) publishing platform will supply you with a template (usually with a barcode, if you give them your ISBN) based on the number of pages in your paperback document. Remember, the page count will always be greater than the number of pages allocated a page number in your book (it’s got front and end matter, right?). Remind yourself about the elements of book building). If you change the number of pages in your book’s interior file, the width of the book spine will change and you’ll need to re-size your cover design accordingly. Here’s a great video on how to use Canva to create an effective printed book cover.

Brilliant blurbs

Everywhere your book is sold and marketed – online, bookshop shelves, bibliographic services, libraries – there’s a chance to attract readers with a great sales pitch, and there is no reason to use anything different to your back cover blurbWhen creating a great blurb, the best place to start is the plotting work you did on your book. Keep it short – it’s not supposed to be a synopsis – and keep the reader guessing about your story’s turning points.

Where’s your proof?

The trial and error of independent book publishing will become apparent once you receive an uncorrected proof of your book, the culmination of years of hard literary work. Most POD platforms allow you to order one version of your title after you’ve uploaded the interior and exterior files. This small spend is your chance to save yourself hours of angst (and plenty of money) by holding one copy in your hand and checking it for accuracy.

Recap

write-regardless-cover
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The publishing industry uses many tried and true techniques to create books that look and sound great to buyers. There is no need for independent publishers to reinvent the wheel – emulate the book trade and allow your publication to seamlessly take its place among the titles available to hungry readers. Don’t attempt a book cover design unless you’re very sure you know what’s expected, but if engaging a designer, it’s still a good idea to get across the elements of effective book design to ensure the process runs smoothly. This is your chance to make your hard literary work shine!

An extract from Write, Regardless!

© Michael Burge, all rights reserved.