Tag Archives: Media

Writer, get to market!

“Courageously generate your own media in order to cut through the prejudice.”

AS an independent publisher of your own books, you’ll quickly discover how marketing and promotion takes up as much time as writing. Don’t despair, just dive in and stay on track with these handy tips on planning and running an effective marketing strategy.

Get your timing right

No publisher in the world completes a book and then starts a marketing campaign for it. The promotion of a title begins long before it hits the online marketplace or the shelves in high-street bookshops. Whenever you need a break from complicated publishing processes, make a cuppa and turn your efforts to marketing for a while. By the time you’re ready to hit the publish button, your marketing plan will be well under way.

They said what about you?

One of the handiest marketing tools is a bunch of quotes about your book and about you as a writer. If you’ve benefitted from beta readers, it’s entirely appropriate to ask them to furnish you with a snappy promotional quote about the title, and to approach journalists you already know within your social media platform. Printed books are replete with testimonials about the writer’s previous or current work, they give readers confidence in the author’s abilities. Work some great quotes into your printed book’s cover design.

Coming to you this summer…

In order to roll out an effective marketing campaign, you’ll need plenty of support materials. Key to this will be your book trailer. In just the same way as movie trailers tease audiences with forthcoming films, effective book trailers provide a taste of a book’s content. Don’t think a book trailer needs to be a Hollywood epic – many of them are as simple and subtle as others are bold and brash. Check out my book trailer page for how I approach this challenge differently each time, using the basic video editing software that was included on my 2010-model desktop computer. Keep trailers short, simple and evocative, and upload them onto your YouTube account. From there, you can share them on your social media platform. Book trailer services can be accessed online, but, as always, agree on all the contract parameters before handing over any money.

Trailer for Closet His, Closet Hers by Michael Burge, utilising a slide show technique, titles and copyright-free music and images on Apple iMovie.

Who are you and what do you look like?

Readers love to know more about writers they admire. If you have not already included a biography on your website, publish one well in advance of your book with an honest photograph of yourself. Author biographies are required by almost every online book-selling and bibliographic platform, so keep it short and consistent. Have a high-resolution jpeg of your author photo handy, at least 500KB in size, for when you are asked to send one by a newspaper or an online publisher.

Let them know all about you

Online book industry sites offer free author pages to writer-publishers, allowing you to share your story with readers, upload book trailers and aggregate all your books in one easy-to-see place. Create an author page on Amazon and Goodreads. Other distribution and bibliographic sites will publish your biog from your print on demand service.

The world wants to know you too

The global book trade makes use of bibliographic databases to promote and distribute new and forthcoming titles to book-sellers internationally. One of the biggest is Nielsen, which has country-specific services in most publishing territories, but allows independent publishers to upload book entries for free via their international portal Nielsen Title Editor. As soon as your ISBN, book cover, author biography, blurb and social media platform is ready, upload an entry onto this service with your publishing date (ensuring you give yourself plenty of time – my advice would be to make it at least three months away).

Getting your great metadata

Nielsen will send details of your book into global book distribution networks, so make sure all information is definitive and accurate. You can edit your entries, but they take days to update. This process will add to the web of metadata on you and your published titles, and raise your online discoverability long before your book comes out. Occasionally, bibliographic services will offer you paid extras, but these are not compulsory. They’ve operated for decades with traditional publishers but only recently opened the gate to independents, so their interfaces can be hard to navigate. If in doubt, ask for support via their excellent online help services, which can take days to respond.

Your browsable online bookshop

Long before you publish, create an online bookshop on your website, with cover shots, advance quotes, and an idea about when interested buyers can expect your titles to be published. As material becomes available, such as your book trailer, or finished sections of your book, publish extracts that can be accessed via links from your bookshop to generate interest and build buyer expectation. When your book is available, change ‘coming soon’ to ‘out now’ with links through to your range of booksellers. Here’s my online bookshop.

“If you want complex and effective media on your book, you’re going to have to create and distribute it yourself.”

Your book is ready for launch

Book launches and author tours are traditional publishing tools that put writers in touch with their audiences. Form an ongoing relationship with one or more local bookshops – many of them will host a regular program of book events for their customer base, and usually charge authors a fee to staff the event, offering wine and light food for guests. Go to a bookshop’s event when deciding on how and where to run yours. The best book launches are not overly long or late, have a point of focus (such as the author in conversation with a relevant guest commentator, or a book reading) and a book signing. This is your chance to make a splash and sell a few copies of your book, but keep things achievable and realistic – it’s tough to get people out for any event these days, and give yourself plenty of lead time so that you are not rushing your book into print. To get more value out of your launch, have it recorded, even on your smartphone, and create an clip of it to share with your social media platform.

Audio clip of the launch for Michael Burge’s Questionable Deeds edited on GarageBand and uploaded on SoundCloud.

Your brilliant book media

Let’s be real for a moment. Really, really real. The media will take absolutely no interest in a new, independently-published writer’s book. The mainstream media has been blasted apart by the internet and social media and relies on free book-related content from traditional publishers to fill their pages. If there’s anyone left in the newsroom to see your press release, they’re likely to think it’s not a proper book if a publisher hasn’t picked it up. Getting coverage in national media is incredibly tough and may require paying a publicist, and even that is no guarantee. If you want complex and effective media on your book, you’re going to have to create and distribute it yourself.

Getting into your local paper

“Someone once said: ‘Send yourself roses’ and I have a similar take on interviews.”

A press release about you and your work, sent to your local newspaper, is likely to get a run, but ensure you include a call to action, such as asking people to your book launch, and at least one excellent high-resolution photograph. Don’t rely on journalists to create effective stories out of your press releases. Rather, build the story for them, based on a strong angle. The best way to create an angle is to write a headline – ‘Novelist turns tables on ageing process in new love story’ or ‘Writer’s stories not short on suspense’ – and then write a full article (around 800-1000 words) below it. A good journalist will build on your press release by extracting the series of quotes you have provided, talking about your book and your work. Double-check all details in a press release before sending it – you’ll only get one chance to have it noticed and picked up.

Your book featured in an article

There are masses of traditional and independent news sites hungry to publish content daily. Trouble is, they can’t afford to employ enough journalists to keep up with reader demand. This is where you come in, as a journalist for your own work (here’s a reminder about how you should get over your blocks and just start doing it). Create a full-length feature article (1000-1200 words) about the primary subject matter of your book, positioning yourself as an expert in the field, and offer it to the editors of related news sites and blogs in exchange for a plug for your book. Don’t rely on them to insert the plug – write a short paragraph about your book at the end and include a hyperlink to your online bookshop.

A guaranteed interview about you

Someone once said: “Send yourself roses” and I have a similar take on interviews. In today’s media, there is a tried-and-true, easy method of publishing interviews with a question and answer (Q&A) approach. Celebrities are often interviewed by email in this manner, with the questions published above each answer, and you can do something similar by interviewing yourself. You get to set the agenda, so make it relevant to your book and explore how and why you wrote it. Make sure you include a hyperlink back to your online bookshop, and send the entire interview and your author photo to blogs and sites that publish content about books, ensuring that you offer the content free in exchange for a plug for your book. Once it’s been published somewhere else, publish it to your own site with a link back to where it first appeared. Here’s one I did.

Your reviews are in

They’re highly effective word-of-mouth, but if you ever work out how to get readers to leave reviews, please let us all know. You’ll make a fortune.

Tell your tribe

Whenever you get an article or review published about you and your book, ensure you tell your social media followers by posting it on your Facebook page and the pages of any Facebook groups you’re a part of. Make it relevant to them with a short blurb above the post. Think about having a simple flyer or postcard printed with details about your book, upcoming and previous titles, and all your contact information, and hand it out to interested readers. I pop one into every paperback I sell from my home office.

Hand selling

Have you ever been in a bookshop when the salesperson recommends a title to a customer, and they buy it on the spot? That’s hand selling! Help your bookshop contacts do this for you by popping in, signing copies of your book, and posting pics to social media.

At least one place wants your book!

As a legal requirement of copyright law, most national and state libraries must be in receipt of free printed and electronic copies of your new book. Send and upload these to them, as their catalogue entries about your books make for great extra metadata on you and your work.



Marketing a book is an enormous task traditional publishers will spend plenty of money on, usually engaging a publicist to get the news about new books into the mainstream media. Independent publishers can have a very rough time of marketing, since our books are often stigmatised as somehow not good enough for coverage or support. Courageously generate your own media in order to cut through the prejudice, and start the process long before you hit the publish button on your book.

An extract from Write, Regardless!

© Michael Burge, all rights reserved.

Writer, you’re a journalist!

“We can no longer rely on paid journalism to get our messages out there, we simply need to start doing it ourselves.”

THE international media industry is in free-fall with the continued sacking and redundancy of journalists. I wrote about the social media’s impact on the media in 2014, and things have only gotten worse since. Our newspapers, magazines and television programs are full of what is known as paid content. This advertising vs. editorial battle is as old as the media itself, but when the boards of media companies no longer have one experienced news person in their ranks, it could be said the newsmakers have completely lost any control over editorial content. Even public news services are being paid to host advertising as news. It’s for this reason writers need to start behaving like journalists. We can no longer rely on paid journalism to get our messages out there, we simply need to start doing it ourselves.


Be an expert

There are many names for ‘experts’ in fields, influencers, for example, operating predominantly in the marketing sphere, but increasingly impacting the editorial content of the media. These are the people called upon to sit on panel shows or provide expert opinion in sections of the media. They often operate as brands – a marketing-oriented phenomenon designed to create awareness of themes, words, images and products. As writers in today’s media and publishing landscape, it is essential we take elements of these processes and turn them to our advantage. If you write a lot about the environment, for example, you can adopt branding strategies to focus your output in that field. Tweet and Facebook on environmental issues to your audience. Write articles about the environment on your website. Tag and categorise your metadata with environmental keywords, but know exactly why you’re doing it: you are on your way to becoming an influencer in that field.

Keep it real

Influencers and brand adopters are not required to be shallow, purely commercial types. If you are writing and researching subjects that you love, becoming an expert in those fields will come naturally. Write opinion pieces about current events related to your work. Publish reviews about new publications related to your expertise. This is all great fodder for your writing program.

“You don’t need a degree, permission or professional qualifications, you only need journalism skills and consistency.”

Share the love

When you’re ready, start to connect with other online writers and journalists – start with me, if you like – and talk about your work and where it’s taking you. Be prepared to be asked to contribute to other sites – this is a brilliant way to spread your metadata around and can be achieved in a number of ways. Other sites can reblog your posts directly from your site (and you can reciprocate), or you may be asked if you’d like a user profile for another blog, to upload and publish your own contribution – a very common way websites accept contributions. Don’t expect to be paid for much of this output, rather, come to accept it as excellent distribution for your work that will generate followers on social media, which increases your reach as an expert in your field.

Citizen journalism is not for the faint of heart

One of the most effective strategies I adopted as an online publisher was becoming a citizen journalist. I wrote about the process in two parts – Voyage to the new news world – a process which not only led to increasing my readership but to paid work as an online journalist. I offer a gentle warning about citizen journalism – it’s very accessible, but also highly contentious, because it’s being relied on more and more by established media networks as a way to attract free content, and professional journalists can be very wary of citizen journalists. I wrote about this phenomenon in Stand up, citizen journalists. Citizen journalism is a minefield for writers who are also activists (or become activists over time, through their writing, like I did), so it’s helpful to ponder the fine line between reporting and activism, and freedom of speech. I wrote about this in You cannot burn a mummy blog.

Journalism standards

Adhering to some kind of personal or professional standards as a journalist is not compulsory, but in the online sphere, where readers lay waiting to catch every typo and piece of plagiarism, it’s wise to follow some basics if you’re just starting out. Here’s my best tips for anyone embarking on their own journalism.

Say no to naysayers

Large sections of the international media readership remain under the illusion that the content they read is created by newsrooms full of busy journalists poring over editorial schedules. The reality could not be further from the truth – newsrooms are mainly empty, solo journalists are juggling the jobs that entire teams once did, their hours taken up with meeting the advertorial agenda of management to produce the paid content in their masthead. Citizen journalists are filling the gaps, although whenever the readership complains, they often let off steam about media conspiracies and lazy journalism. Don’t let any of that stop you writing as an expert in your field. You don’t need a degree, permission or professional qualifications, you only need journalism skills, consistency and guts. Check my article on How to write wrong.



As a writer and published author, you’re going to need to forge relationships with journalists. The best place to start is by becoming a journalist yourself. Work out what you’re expert in, and publish quality journalism on that. Keep an eye out for other journalists wanting to connect with you – these are invaluable future connections.

An extract from Write, regardless!

© Michael Burge, all rights reserved.