Tag Archives: Workshops

‘A visual conversation’: Make your creative splash at Deepwater’s art workshops

THE powerful benefits of taking time out to make decorative objects and art by hand are on offer at the upcoming Deepwater Art Show, with a range of workshops led by some of the region’s best artisanal practitioners.

Leading the way will be Ngarrabul/Gamilaraay/Yuwaalaraay/Kooma woman Adèle Waabii Chapman-Burgess of Glen Innes, who will host a traditional basket weaving session on Saturday April 1.

WEAVING YARNS Adèle Waabii Chapman-Burgess

“Weaving is a powerful way to embrace and preserve my culture,” she says.

“It’s like a visual conversation. I’m proud and feel it’s a privilege to have the opportunity to bring our stories to life through weaving and yarning using traditional knowledge with modern tools to promote and share my culture.”

Chapman-Burgess’s workshop will begin with an introduction to basketry using natural plant materials and where to obtain them. She will demonstrate how to create a woven vessel or three-dimensional object, from getting started, changing materials, developing structure, creating walls and finishing your piece.

“We will discuss various ways you can decorate your basket, how to dye the fibres and different materials that you can forage to continue your practice of weaving with the coiling technique,” she says.

“You will then learn about sustainable practices and online resources for when you’re creating your own pieces at home.”

Fabulous and functional felt

FELTED FUN hat created by Jo-Anne Barr

Currabubula milliner Jo-Anne Barr believes there’s a link between creative classes, personal development and good mental health.

“Workshops also provide all participants the opportunity to share their knowledge, skills and life experiences with others – and that often includes the facilitator – that helps shape artisans and their practices,” she says.

Participants at Barr’s wet felt hat making workshop on Sunday April 2 can expect to leave with a simple flower brooch and a finished hat, but also skills in wet felting and basic hat blocking and shaping.

“It’s a fun, productive day, with new friendships forged and skills obtained, along with the satisfaction of knowing they turned a bundle of Australian superfine Merino wool into a fabulous and functional unique hat to be proud of,” she says.

Immersive experience

VISUAL LANGUAGE Artist Carolyn McCosker

Artist Carolyn McCosker of Inverell often sees fellow creatives struggle to find ways to express themselves via visual art.

“While it’s wonderful to recreate someone else’s ideas, we yearn to find our own way of expressing ourselves in drawing and painting,” she says.

“As artists in regional areas, we are isolated from what’s happening culturally in the cities. 

“I often travel to larger regional centres such as Moree, Armidale and Tamworth to visit the galleries and keep abreast with trends in new and contemporary art. I am always seeking to develop my techniques and expand upon existing concepts and ideas.”

Participants can join McCosker for a 2-day creative painting experience on Monday April 3 and Tuesday April 4.

“This workshop will prompt participants to explore how shape, form, colour and line can be employed to develop a personal visual language through which to convey ideas and feelings,” she says. 

“Participants will be invited to consider their own art interests as they view images of work by historical and contemporary Australian and international artists. We’ll investigate ways of referring to source material without letting it dominate your finished work.

COLOUR & LINE Artwork by Carolyn McCosker

“There’ll be warm up exercises in composition, colour and design before moving onto your own work, which you’ll be developing from your own reference images and concepts.”

McCosker believes creative workshops provide an “immersive experience” of completely absorbing oneself in art and art making, “with other like minded people working collaboratively, sharing, exchanging and learning new ideas and techniques”, she says.

Also taking place across the 5-day Deepwater Art Show will be a native Australian flower painting session on Saturday April 1 with Indigenous artist Lauren Rogers, and two separate copper fold-forming jewellery workshops on Sunday April 2 and Monday April 3 with Deepwater’s own silversmith Richard Moon.

For all workshop bookings head to the Deepwater Art Show’s website.

Handmade for the holidays

“People should never be shy of signing up for a workshop and having a go.”

LEARNING A NEW creative skill can be a big step for busy people, so there’s no better time than the holidays to make a plan to attend a workshop; and Glen Innes at the heart of the NSW New England region is the destination for handmade.

STONE SETTING Precision work on a pendant.

Resident silversmith at The Makers Shed, Richard Moon has been teaching metalworking and jewellery-making techniques for four years, and runs regular full or half-day courses for beginners and those with a few skills at the Glen Innes venue.

“I thoroughly enjoy helping people realise their visions in jewellery form,” he says. “It’s always a reminder of how I started out. Attending a two-day ring-making workshop in 2007 really set me on my course to becoming a full-time silversmith”.

“It really is possible to design and make a piece of jewellery in just one day,” he says. “We have all the equipment here at The Makers Shed, and if you want to bring a friend or two along, we have six silversmithing benches ready for your workshop. I’m here to ensure everyone goes home with a unique handmade experience under their belt, and a special piece to wear or give as a gift. You’ll sleep well that night, because even though the process doesn’t take up much space, it’s extremely challenging on the mind!”

CUTTING EDGE Printmaker Nadia Kliendanze finds inspiration in the everyday.

Also giving an upcoming workshop at The Makers Shed is Inverell’s award-winning printmaker Nadia Kliendanze, whose exhibition ‘Printed Matter Only’ is showing throughout the summer.

“I love to teach printmaking and linoprinting in particular, which is my favourite print medium,” Nadia says. “Beginners usually catch on fairly quickly. Those that already have an artistic practice of some sort create their own original linoprints, however, I have a selection of images that complete beginners can use. After all, it’s about learning the process, not learning to draw”.

“I undertook a Diploma of Fine Arts at my local TAFE and discovered printmaking,” she says. “I was initially attracted to the media because of its graphic nature and also the fact that it was an easy way to share my artworks with lots of people at a reasonable cost”.

PRINTED MATTER ONLY St Stephen’s Green, linoprint by Nadia Kliendanze.

“Later on when I undertook a visual arts degree and a masters in printmaking at Monash University I continued to work more intensely in that medium.”

Nadia’s exhibition encompasses botanical motifs, iconic destinations in Australia and Europe and often references well-known prints from the past, such as Hokusai’s ‘Great Wave’, but she also turns her attentions to the everyday.

“Sometimes I create a print out of something I have seen on my morning walk,” she says.

HANDMADE HEAVEN Ceramicist Anita Stewart is a member of Glen Innes Pottery Club.

Glen Innes-based ceramicist and potter Anita Stewart regularly has work on show at The Makers Shed, and is gearing up to share her skills over the summer at the Glen Innes Pottery Club, situated like the Shed on Grey Street, the town’s main drag.

“Discovering clay for me was like a fish taking to water,” she says. “I studied Fine Arts in Western Australia for three years. Like many artists, I had been practicing before I actually decided to do formal training. At Fremantle Tech I did units in painting design and drawing, then in 1995 I travelled to the New England region and discovered the wonderful ceramics courses run by Max Powell at the Glen Innes TAFE”.

“The inspiration to create a new body of work usually comes when working on new forms at the wheel. For instance, the last federal election inspired my ‘message in a bottle’ series. Using the surface of the pot as a canvas I add multiple layers to create an image that speaks. The New England Landscape has also given me great inspiration for my work.”

MESSAGE IN A BOTTLE Ceramic vases by Anita Stewart.

According to Anita, the Glen Innes Pottery Club was established about 30 years ago, and has remained a vibrant part of the community. “Lots of well-known potters have been a part of the club,” she says.

Winner of multiple awards for her ceramics, Anita laughs when asked to define what it takes to be a practicing artist, adding that “stamina, determination and absolute passion” are essentials for anyone wanting to make a long-term career of creativity; although she believes people should never be shy of signing up for a workshop and having a go.

“It’s really nice teaching people how to work with clay because it’s a very tactile medium and they usually seem really pleased when they’ve created a functional and colourful work of art,” she says. “The wheel can be a bit more of a challenge, but they are overjoyed when they manage to throw a pot on the wheel.”

A complete range of handmade work by artisans from across the New England region is always available at The Makers Shed, and a regular schedule of creative workshops.

www.themakersshed.org