Tag Archives: Ceramics

Perseverance key to Powell’s pottery

THE natural environment of the New England region, and the mindfulness of daily work in the clay studio during the COVID-19 pandemic, were influential in a collection of new ceramic work by artist Max Powell of Glen Innes.

The exhibition ‘FormWork’ will fill The Makers Shed with an array of pieces throughout spring.

According to Max, daily practice and perseverance were key to this prolific period of creativity.

CERAMIC CURVES: New works by Glen Innes potter Max Powell

“I came to ceramics through art making and fell in love with the endless possibilities of this elemental and enduring material,” he says.

“There is always the element of the unexpected and surprise that keeps me asking ‘what next?’ Clay has become an obsession and a daily necessity as I explore different pathways and grow ideas.

“Spending time in the workshop honing skills and focusing on the evolving processes keeps me in the moment engaging body and mind in a holistic way that has kept me anchored through these turbulent times. 

“The perseverance we need today is a basic tool for the potter.”

Inspiration also comes from spending time in the bush observing the shapes, colours and surfaces found in nature, Max says.

“As well as the making processes involved in transforming this most basic elemental plastic material into expressive form.

“I like the end product to reveal the honesty of the materials by leaving some exposed clay body on show, along with the effects created by the alchemy of multiply firings building up different glaze layers.”

A range of large ‘water bowls’ that can be used outdoors as bird baths, and a selection of vases and platters will be on offer, but also a range of large-scale works that will form a unique centrepiece to any indoor design.

“Besides producing useful objects, clay can sometimes result in ceramic work that can satisfy not only the maker but also engages others and adds richness to their daily rituals,” Max says.

FINE FORM: Max Powell’s new exhibition runs until November 28 at Glen Innes

Beyond the surface

A graduate of the National Arts School, East Sydney Technical College, and Monash University, Max Powell came to ceramics through the art of glazing.

“Painting the surface has always been my focus and with these new works I have tried to develop stronger forms that compliment the surface but still make their own statement,” he says.

A Glen Innes-based secondary and TAFE art teacher, he has a longstanding reputation for high standards of artistic practice in the region.

“I love the sense of community,” he says, “and the open landscape that lets you escape to the nearby majestic national parks. I love the seasonal changes that shape our lives”.

“Inspiration is everywhere: moss, lichen, a rock, a piece of wood, the landscape and the rich history of ceramics and the many stories that get mixed into the clay.”

Powell cites artists like Henry Moore, Barbara Hepworth, Lloyd Rees, Elizabeth Cummings and Angus Nivison as influences throughout his career, which started in arts education but quickly moved on to public art commissions and exhibitions throughout the New England region.

“I feel privileged that I have been able to spend my time making art, responding to the world around and engaging with like-minded people,” he says.

FormWork runs until November 28 at The Makers Shed, 123 Grey Street Glen Innes

Handmade for the holidays

“People should never be shy of signing up for a workshop and having a go.”

LEARNING A NEW creative skill can be a big step for busy people, so there’s no better time than the holidays to make a plan to attend a workshop; and Glen Innes at the heart of the NSW New England region is the destination for handmade.

STONE SETTING Precision work on a pendant.

Resident silversmith at The Makers Shed, Richard Moon has been teaching metalworking and jewellery-making techniques for four years, and runs regular full or half-day courses for beginners and those with a few skills at the Glen Innes venue.

“I thoroughly enjoy helping people realise their visions in jewellery form,” he says. “It’s always a reminder of how I started out. Attending a two-day ring-making workshop in 2007 really set me on my course to becoming a full-time silversmith”.

“It really is possible to design and make a piece of jewellery in just one day,” he says. “We have all the equipment here at The Makers Shed, and if you want to bring a friend or two along, we have six silversmithing benches ready for your workshop. I’m here to ensure everyone goes home with a unique handmade experience under their belt, and a special piece to wear or give as a gift. You’ll sleep well that night, because even though the process doesn’t take up much space, it’s extremely challenging on the mind!”

CUTTING EDGE Printmaker Nadia Kliendanze finds inspiration in the everyday.

Also giving an upcoming workshop at The Makers Shed is Inverell’s award-winning printmaker Nadia Kliendanze, whose exhibition ‘Printed Matter Only’ is showing throughout the summer.

“I love to teach printmaking and linoprinting in particular, which is my favourite print medium,” Nadia says. “Beginners usually catch on fairly quickly. Those that already have an artistic practice of some sort create their own original linoprints, however, I have a selection of images that complete beginners can use. After all, it’s about learning the process, not learning to draw”.

“I undertook a Diploma of Fine Arts at my local TAFE and discovered printmaking,” she says. “I was initially attracted to the media because of its graphic nature and also the fact that it was an easy way to share my artworks with lots of people at a reasonable cost”.

PRINTED MATTER ONLY St Stephen’s Green, linoprint by Nadia Kliendanze.

“Later on when I undertook a visual arts degree and a masters in printmaking at Monash University I continued to work more intensely in that medium.”

Nadia’s exhibition encompasses botanical motifs, iconic destinations in Australia and Europe and often references well-known prints from the past, such as Hokusai’s ‘Great Wave’, but she also turns her attentions to the everyday.

“Sometimes I create a print out of something I have seen on my morning walk,” she says.

HANDMADE HEAVEN Ceramicist Anita Stewart is a member of Glen Innes Pottery Club.

Glen Innes-based ceramicist and potter Anita Stewart regularly has work on show at The Makers Shed, and is gearing up to share her skills over the summer at the Glen Innes Pottery Club, situated like the Shed on Grey Street, the town’s main drag.

“Discovering clay for me was like a fish taking to water,” she says. “I studied Fine Arts in Western Australia for three years. Like many artists, I had been practicing before I actually decided to do formal training. At Fremantle Tech I did units in painting design and drawing, then in 1995 I travelled to the New England region and discovered the wonderful ceramics courses run by Max Powell at the Glen Innes TAFE”.

“The inspiration to create a new body of work usually comes when working on new forms at the wheel. For instance, the last federal election inspired my ‘message in a bottle’ series. Using the surface of the pot as a canvas I add multiple layers to create an image that speaks. The New England Landscape has also given me great inspiration for my work.”

MESSAGE IN A BOTTLE Ceramic vases by Anita Stewart.

According to Anita, the Glen Innes Pottery Club was established about 30 years ago, and has remained a vibrant part of the community. “Lots of well-known potters have been a part of the club,” she says.

Winner of multiple awards for her ceramics, Anita laughs when asked to define what it takes to be a practicing artist, adding that “stamina, determination and absolute passion” are essentials for anyone wanting to make a long-term career of creativity; although she believes people should never be shy of signing up for a workshop and having a go.

“It’s really nice teaching people how to work with clay because it’s a very tactile medium and they usually seem really pleased when they’ve created a functional and colourful work of art,” she says. “The wheel can be a bit more of a challenge, but they are overjoyed when they manage to throw a pot on the wheel.”

A complete range of handmade work by artisans from across the New England region is always available at The Makers Shed, and a regular schedule of creative workshops.

www.themakersshed.org