Tag Archives: Writing

The Book Tour Survival Guide

THERE ARE MANY ways to tour a book: author talks, writer’s festivals, in-store signings, literary conferences, book launches, in-conversations, library appearances, etcetera.

Authors ignore such events at our peril, although the major challenge is getting readers to even hear about our books in a saturated marketplace, where some publishers are claiming there’s too many new releases in this country.

One solution is to hire a publicist.

At a big-city writer’s festival the year that my debut novel was released, a very successful author leaned over to me at the bar. “Your book is everywhere!” they whispered. “Who is your publicist? I want to work with them.”

When I pointed to my chest, their jaw hit the floor; but I took it as an indication that my DIY approach was effective.

Publicists rightly earn good money for getting an author’s book into the path of readers (here’s some insight on salaries for all key players in the book trade). Maybe I’ll work my way up to affording a publicist down the track?

If you’re still reading, you probably can’t afford to share your hard-earned royalties either. So here’s my gift to you: how to tour a book without getting ripped off or embarrassed.

Plan ahead

At least six months before your publication date, get your marketing materials together. Don’t panic if your publisher’s Advance Information Sheet (AIS) isn’t quite ready. Rustle up your own stand-in, even if it doesn’t have a final cover image. Include a description, a couple of endorsements about you and your work, the publication date, the ISBN and start approaching bookshops and/or libraries about hosting a launch. If you have no endorsements, get one from your publisher explaining why they picked up your manuscript and that they’re excited about publishing it. If you’re self-published, approach a wordsmith in your genre and ask them for a quote about you and/or your writing.

Planting seeds in bookshops

Right now, there’s likely to be someone on staff in bookshops and libraries who manages events, very often they’re more contactable via social media messaging than email. Send them your AIS and ask about the possibility of a book event! It’s increasingly common for authors to head into bookshops and libraries well ahead of our publication date. For emerging authors particularly, this is a way to plant seeds about our upcoming books, and can assist our distributors (who are less likely to be on the road and more likely to be emailing or messaging bookshops) by making an impression about a new release.

Bookshops are busy

Particularly at lunch hour and, for big-city and suburban outlets, after 5pm. Make a time to come in (if you can), but don’t expect a lengthy audience with anyone. More than five minutes is a bonus. Be aware of any customers waiting to be served, and stand aside for them. Leave your AIS and a positive impression. Be prepared to be assertive about your right, as the creator of books, to be in a bookshop doing book business. When your distributor approaches that shop, your seedling will already be above soil level. If they already have, your visit is another chance to get attention on your new book.

Libraries bear fruit too

There’s no harm in supporting your distributor by alerting library networks about your upcoming book. Keep a few AIS sheets in your car and drop one into libraries when you travel. In Australia, we have the Lending Rights Scheme, which allocates micropayments to authors every time our books are borrowed. Libraries very often have event programs too, and many pay authors to appear.

Get a paid gig or two

While you’re in the planning phase, particularly if you’re thinking of touring to a city, look out for literary events to submit yourself and your book for. The organisers may be very grateful to be approached, since you’re going to be in their location anyway. Garnering a few appearance fees along the way is a great way to self-fund your book tour.

Recruit allies

Invite fellow wordsmiths to front up with you at your book events: the authors, journalists, academics and librarians who live in the region you’re touring through. Someone will be very happy to interview you, particularly if the bookshop you’re appearing at stocks their books, too.

Use pencil in your diary

Because the dates of your book tour are going to change, likely more than once. If you have given your plan enough lead time, these shifts will not matter. Stay agile as your itinerary comes together.

In-store signings

Think small table near the bookshop counter, a stack of your books on it, or – heaven forbid – sitting out on the street waiting for customers to give you time and attention. Only for the brave. You might sell a few books. You might sell none. In-store signings work for some, but an event at a bookshop can be more worthwhile and less anxiety-filled.

Tell everyone

When you have your book-tour itinerary planned, start the massive job of spreading the word. Tell everyone, literally. There’s nothing like a personal invitation to an event as opposed to just scrolling past something on social media; but paid social media boosts have worked for me when promoting library events. Contact radio stations in the area where you’re touring and send a press release with your AIS, and a free copy of your book as a listener giveaway!

We all have ‘that awful story

Last year, I dropped into a small bookshop, and once the sales desk was clear of customers I introduced myself to the one staff member as an author with two new books about to land in the supply chain. Instead of the expected welcome, she freaked out, hands waving right in my face, loudly repeating, “No, no, no!!!” It was such a shock, and I tried to explain myself but she just wasn’t interested. Maybe she was hungry? Maybe she needed to use the bathroom? Whatever … her reaction was awful, and delivered loudly enough for customers to notice.

The mental health thing

If the above incident had happened in my twenties or thirties, it could have been quite damaging. Being an author whose debut novel came out in my middle-age has made me more resilient. I quickly regathered my composure, and rang my husband. We had a good laugh and moved on. Have allies at hand when book touring, to help protect you from the unexpected challenges. Such moments are very much the exception. Most booksellers and authors realise that we need each other and that we’re working towards the same aim: reaching readers.

Sometimes, people just don’t turn up

During my last book tour, a fellow author posted a picture of an empty chair on social media, taken at their suburban book event to which nobody came. I’ve done my share of events best described as “intimate”, but I came up in the trenches of the theatre, where there’s an old rule about the show only going on if the numbers in the audience are more than the cast. When you strike a no-show or a low-show, please don’t have a shame spiral. It’s a rite of passage in every author’s life.

The skittish venue

Sometimes, the host library or bookshop will cancel your event ahead of time, even days before. There are good reasons: staff rostering is the one usually cited. Roll with it. If it leaves a hole in your itinerary, try another venue, or have a night off!

Go places you like

It’s your tour, so treat yourself along the way. A scenic walk, a swim, a picnic, or a visit with a friend. I live in the bush and don’t get to cities very often, so I combine book touring with visits to family and friends, gallery and theatre visits, ocean dips and laps at local pools. It all helps take the edge of the inevitable anxiety of putting myself out there.

Travel with friends

In recent years, authors have been going out into the wild in pairs. Usually from the same publishing stable, this tandem approach saves money and resources (particularly fuel) and offers libraries (particularly in the regions) a double-barrelled event to promote to their members and visitors.

Practice your signature

Particularly if you’re a debut author! When someone has made time in their day to come to your talk, bought your book and waited to have it signed … and you give a literary flourish instead of a smudged scrawl, you will have achieved book tour perfection!

Book tours never really end

If you don’t believe me, take a look at mine. It started in October, 2021 and probably has at least one upcoming event at any given time. I figure that when my publisher and their distributor have stumped up the money to get my book into the supply chain, the least I can do is get out there and meet readers.

I’ll be giving my book marketing workshop ‘Back Your Own Book’ at Queensland Writers Centre on Saturday August 22. Book now via the QWC site.

For more tips about promoting your book, whether you’re traditionally or independently published, check out my book Write, Regardless!

Main picture: Michael Burge and Hayley Scrivenor at Qtopia Sydney for the Eastern Sydney launch of Dirt Trap

Cultivating storytellers in the rural heartland

LOCAL FANS OF good writing have every reason to celebrate, with a season of literary initiatives and acclaimed broadcaster Mary Moody — coming to the New England region between October 25th and December 1st for the High Country Writers Festival. As an author and journalist who learned to use the written word at Delungra Public School, I’m thrilled to be bringing wordsmiths together in a region that has always fostered storytellers.

RURAL HEARTLAND: Waterloo Station, Glen Innes.

Writers will have a unique opportunity to prime their skills and draw inspiration at iconic Waterloo Station between Glen Innes and Inverell when the festival kicks off at the High Country Writers Retreat from October 25th to 27th. Inverell resident Virginia Eddy (the force behind Boorama, her business strategy outfit, pictured above) is partnering with The Makers Shed, Glen Innes, to assist writers in adopting a micro-business approach.

Returning to the region after four decades has been huge for Virginia. “When I left my Melbourne world, a friend told me: ‘Don’t ever forget that there is a reason you are returning. Look and listen for it’,” she says. “Even though I’ve been here for six years, every time I drive out the Yetman Road north of Inverell, I’m imbued with the deep sense that I’m going home. Our family left the region when I was ten.”

Virginia believes that being a writer and being in business can be a comfortable coexistence. “Regardless of whether writers are published independently or by traditional means, business knowledge and acumen underpins their capacity for independence,” she says. “Micro-businesses should be built on the same primary foundations and frameworks as major corporations, except scaled accordingly”.

“I urge writers to imagine they are weaving potent little miracles of business around their output. These don’t happen with templates, or overnight. They’re a lifelong practice.”

TOUCH OF LUXURY: Waterloo Station Shearers Lodgings.

Despite one of the worst droughts we’ve seen in the New England, Virginia encourages writers to share Waterloo Station as a home-away-from-home during the retreat. “Whether they’re from the bush, the city, or both, it’s a chance to pause, absorb the landscape, the built environment, the past and evolving social history,” she says. “I believe the Station’s restorations (under the stewardship of Deborah and Don Anderson) will speak for themselves; but as a writer working on one of my own manuscripts, I look forward to hearing others’ perspectives.”

Being a regional-returner myself, I know what it’s like to seek a sense of place in a rural community. Growing up on a property out of Delungra prepared me for the profound tranquility of rural life, but living and working across the world has allowed me to bring home a host of skills.

I began mentoring writers after my independently-published memoir Questionable Deeds was selected for the Brisbane Writers Festival. I was so swamped by queries about how I managed it that I wrote the process into a short, accessible guidebook. Participants at the High Country Writers Retreat will be mentored on adapting these principles to their writing and publishing practices.

But there’ll also be plenty of writing time, one-to-one sessions and inspirational experiences at Waterloo Station. Virginia is well underway with transitioning into a literary writer, and I am always up for fresh insights into business and marketing, so we’ll be attending each other’s sessions at the retreat. Come and join us!

From the heart

The High Country Writers Festival continues on Saturday November 30th and Sunday December 1st at The Makers Shed, Glen Innes, when Mary Moody, one of Australia’s most beloved and bestselling authors, launches her first book in a decade: The Accidental Tour Guide. She spoke with me about what inspired her to return to autobiography.

Mary Moody

“Memoir forces people to reflect on the events of their lives and to gain an understanding of how they reacted to those moments,” she says. “I have found that writing down difficult events somehow crystallizes them. The Accidental Tour Guide contrasts the highs of exploration and adventure against the lows of death and loss.”

Since the publication of a string of bestselling memoirs, bridging her life in rural France and regional Australia, Mary has relocated from the farm she shared with her late husband, filmmaker David Hannay.

“I now live with my youngest son and his family in the Blue Mountains. This supportive environment makes it possible for me to continue my adventure travels, knowing I have a safe haven to return to, every time,” she says.

Mary will also hold her popular ‘Writing from the Heart’ workshop at The Makers Shed during the festival. “I never cease to be amazed and delighted at the stories people tell me of their amazing lives. It’s just knowing where to start and how to keep those stories flowing. Often people want to write the stories of their parents or grandparents and these are equally as inspiring. I believe we will never tire of reading about other people’s lives. It helps us to make sense of our own.”

The tussle between nesting and migrating is a constant theme in Mary’s work, giving insights into the fortunes of regional communities in many countries. “It’s always the people that create a community, and it makes me sad to see regions where failing economics makes it impossible for people to live where they were born,” she says. “We need to encourage more young families to live in rural areas – the benefits of this lifestyle are many and varied.”

Described as Eat, Pray, Love meets The Year of Magical Thinking, Mary’s new memoir is an inner and outer journey through uncharted territory. “I’m really looking forward to touring with this new book. I particularly love small independent bookshops and places where there are active and enthusiastic book clubs. Australians are great readers – they devour good books and it’s wonderful to know that here we have such a vibrant and viable publishing industry. At the end of the day I just love meeting people and talking.”

The High Country Writers Festival is an initiative of The Makers Shed. This article was first published in New England Living magazine.

Writer, identify yourself!

JOURNALIST and writer Michael Burge spent over six years writing full time, including three years contributing online articles, before embarking on the publication of a range of books across 2015-2016, titles he wrote while developing a social media readership.

The Write, Regardless! series of no-nonsense articles explains how Michael went from a good writer, to an Amazon bestselling author (without getting ripped off along the way).

Is Write, Regardless! for me?

“The reason that manuscript remains unpublished is not the sick, sad, selfish world, but because you have not published it yet.”

Here’s a checklist. I’ll be honest and upfront in these posts. I’ll also keep things light, because I have just finished publishing some very serious books, and I need a lift! I’ll link to Wikipedia quite often, so if you don’t like updated, peer-reviewed, democratised information, Write, Regardless! is definitely not for you.

Wikipedia? Are you serious?

I regularly consult Wikipedia because many online entities don’t really want us to know exactly how they work (so they can charge us money). At Wikipedia, other people have spent time sharing how things work, and I’m assuming you’ve got enough of a bullshit monitor that if someone hacked Wikipedia and posted: “Marilyn Monroe was actually a donkey”, you’d work out they’re trying to trick you, right?

If you don’t identify yourself as a writer, no one will do it for you.

Hopefully you’re coming with me on the crazy ride that the Write, Regardless! series will be, aimed at anyone who can write, or perhaps has a ’embarrassing’ manuscript sitting in a desk draw or on a computer somewhere. The reason that manuscript remains unpublished is not the sick, sad, selfish world, but because you have not published it yet. Time to get real, join the publishing industry, and do it yourself. Many thousands of successful writers have taken this path before you. Many have been ripped off by charlatans, and I am here to help us avoid that.

Don’t start by writing anything

Writing is way down on the list of jobs you need to start doing. I’ll assume you know how, have some work under your belt, and a regular writing schedule. Your first task is to identify yourself so readers can find you. There are a few ways to do this. The ones I know about are Gravatar and Google. Because you are the best spokesperson of your work, in fact probably its only spokesperson, eventually you’ll want readers to find you.

Gravatar is good

A ‘globally recognised avatar’ does a really cool thing – wherever you participate on the internet, a Gravatar lets your identity follow you, and if people like the comment you made on The Huffington Post, they’ll be able to find your website, and therefore maybe get interested in your writing. That’s called being discoverable. If you’d rather hide behind a name like ‘Hawkwind Gamester of the Windy Witches’ and have no identifiable online presence, go for it, but best put that name on all your books, not your real name. If you want people to start identifying and understanding you, and therefore your books, get a free Gravatar account today, with a real headhot of yourself. Gravatar accounts go hand in hand with WordPress websites (more on those in coming articles).

Google is good

A few years ago, Google got even savvier than it already was and started allowing people access to a Google account linked to all kinds of portals, including Blogger (the alternative to WordPress for website hosting). The best part about a Google account is it lets Google know what you’re up to. Don’t be scared! Telling the world’s largest online information aggregator what you’re up to is called publicity, essential for publishing (see what I did there? The root word is the same in publish, publicity, publication… your public, darling). Sign up for a free Google account. Here’s mine.

Set and forget your Google and Gravatar accounts

You’re not going to need to go in and out of these places very often (phew). Eventually I’ll explain how to update them automatically without leaving your website. For now, the only other thing to do is to keep a list of your account names and passwords – you’re going to end up with a few of them during Write, Regardless! Keep them somewhere safe and accessible.

google-monster-1Keeping online platforms in their place

Online platforms will continually promote ‘bells and whistles’ (attractive additional features or trimmings). Very often, they’ll try to trick you into thinking you need ‘premium’ products, or provide extra information like your email address or your mobile phone number, in order to increase your security levels or to maximise your visibility. I have the most basic accounts on Twitter, Facebook, Instagram, LinkedIn, Google, SoundCloud, YouTube, Canva, Ingram Spark, Amazon Author Central (don’t freak out at this list, I will explain them all in future articles) Gravatar and MailChimp, and until recently the free WordPress account, which I upgraded only so I could host video/audio marketing content. Stay on your guard when navigating online platforms. Don’t click ‘yes’ unless you’re sure you have to. ‘Cancel’ or ‘skip’ buttons are best unless you’re sure you want to alter something.

Sharing information

Online platforms will sometimes ask your permission to share your information with your followers, which you’ll want to do, since it’s these networks of friends, family and interested people who are our readership base. Say yes to those prompts, it’s simply a legal requirement of the platform to ask.

Internet fears

The internet can be a big scary place, and rip-off merchants are out there, sure, but I have not come across any real monsters. The only times I have wasted money on my publishing journey was through being ill-informed. The main internet shenanigans I see are the corporate obstacles that big companies place in the way of their competition, and sometimes writers have our pathways impacted by these shifts that are out of our control. Move bravely between giants!

write-regardless-cover
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Recap

Get your free Gravatar and Google accounts sorted, start a safe place for usernames and passwords, then get on with your day job secure in the knowledge that the internet now knows who you are. Don’t be scared, because that means readers! (Whoosh! There go your internet fears!).

An extract from Write, Regardless!

© Michael Burge, all rights reserved.