All posts by Michael Burge

Journalist, author, artist

On the same page about marriage equality

26785881IN every writer’s life there comes a time when a piece written by someone else renders our own contribution unnecessary. After exploring the issue of marriage equality in my country for more than a decade, Rodney Croome’s new book has finally done this for me.

From This Day Forward: Marriage Equality in Australia is an aggregation of Croome’s major writing on the marriage equality debate to date, including updates on his 2010 contribution to Why Vs. Why: Bill Muehlenberg and Rodney Croome debate Gay Marriage (Pantera Press).

But Croome’s collection is much more that; it’s the best document Australia has to move the debate – finally – into legislation.

The only possible rebuttal to From This Day Forward is religious ranting or political belligerence, because, as Croome puts it: “The critics of marriage equality are trapped in an intellectual cul-de-sac.”

I had a particular interest in reading this book: I was keen to fact-check my own publication Questionable Deeds: Making a stand for equal love against a more comprehensive document covering the story of Australia’s legislative failure, but I was unaware of Croome’s book until it was launched in Brisbane last week.

“A well-articulated exploration of the total lack of arguments left for opposing marriage equality. It stands like a boundary, behind which the debate will retreat no longer.”

It’s a great year for books by same-sex attracted writers. With Magda Szubanski’s memoir Reckoning, and the rerelease of Timothy Conigrave’s Holding the Man off the back of the movie release, gay and lesbian writing is getting a great run.

Although like my title, From This Day Forward does not have a huge marketing machine behind it. This makes for a hard sell at a time when readers and audiences are at marriage equality saturation point, there’s an overbearing unwillingness to just get it done, and the mainstream media seems incapable of selling a story of what it sees as a dead horse, slaughtered by both sides of parliament.

Croome’s book is a well-articulated exploration of the total lack of arguments left for opposing marriage equality. It stands like a boundary, behind which the debate will retreat no longer. For someone who has heard and endured all the classic approaches (he was confronted by one at his launch – the old ‘why call it marriage?’ chestnut), in person and in his book, Croome – the national convenor of Australian Marriage Equality – maintains the neutrality of an activist prepared to go on calmly answering loaded questions forever.

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EQUALITY CAMPAIGNER Rodney Croome.

I admire such public strength. My own book reveals my inability to be as dispassionate. Driven by grief, fear and pain, I wrote the awful truth about the depth of my disenfranchisement in Questionable Deeds, revealing how prejudice and lax laws robbed me of self determination as a surviving spouse.

Although I was relieved my research stood up without the benefit of reading Croome’s book, what encouraged me more was his call to action from the LGBTI community to share our experiences.

“Whatever lies behind the power of personal stories, they are immensely effective in showing how marriage inequality affects ordinary people day-to-day. They tap into our desire to understand the ideas and feeling of others,” Croome writes.

Our stories are most effective for the cause when we manage to bend the ear of our federal MPs, Croome writes. Mine is Andrew Laming, federal member for the Queensland electorate of Bowman, a regular flip-flopper on marriage equality.

At his launch, Croome paid tribute to Queensland’s major contribution to the legislative push. It’s here that Warren Entsch (Liberal federal member for Leichhardt), and Teresa Gambaro (Liberal federal member for Brisbane, who launched Croome’s book last week), joined forces with Terri Butler (Labor federal member for Griffith) to co-sponsor a cross-party bill on marriage equality.

Since the entire house of representatives owned the bill, this was a unique moment in the journey, and a shining example of politicians getting their heads around the positive impact of equality on the mental health and wellbeing of their constituents. Andrew Laming would do well to watch and learn, and he could start by buying Croome’s book, and mine. He was invited to my book launch, but did not respond.

Croome also gets to the heart of the current plan for a marriage equality referendum or plebiscite.

“Human rights defenders are rightly concerned about putting inalienable rights to equality and personal autonomy to a show of hands,” he writes, underlining how there’s no constitutional requirement to ask the people on marriage when it was parliament that autonomously altered its definition in the first place.

I support Croome’s view that a national vote on marriage equality would pass the law. Even if the regular polls are significantly wrong, the majority of Australians would say yes.

“My concern is with the process, not the outcome,” Croome writes, referring to the high price that would be paid by the LGBTI community in terms of our mental health.

It’s in this zone that Croome’s book and mine intersect. Croome quotes statistics gathered in the wake of the banning of marriage equality in 2004 – the year my partner died – which showed a sudden increase in mental health challenges for LGBTI.

Of the 2004 ban, I wrote: “It would have passed through my consciousness in my deepest grief and registered only as another reason to feel dreadfully unsafe about being same-sex attracted in my own country.”

I recall the sadness that went into writing that sentence, and nearly deleting it from subsequent drafts because I’d kept such deep-seated emotions in check while remembering the daily struggle of grief and depression in that terrible year. Croome’s book has finally put my struggle to process my disenfranchisement in context.

A major new element of From This Day Forward is an essay ‘Flight from the gilded cage: addressing criticism of marriage equality from the left’.

It’s an area of great interest, not just for those of us who are shocked at how the marginalised seek to marginalise others, but also for anyone wanting to advance their knowledge on the last bastions of objection.

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At my own book launch, in conversation with No Fibs’ editor Margo Kingston, she expressed a wish that I’d written more on marriage equality opposition that didn’t stem from homophobia.

I touched on it in my afterword, but Croome’s essay is the most comprehensive and timely argument taken up to several high-profile commentators who have provided great fodder for the religious right over the years.

Croome confronts them all – from former Prime Minister Julia Gillard and her feminist arguments, to author Robert Dessaix and historian Dennis Altman, who have long argued that same-sex attracted people should not need such a heteronormative institution as marriage (although Altman began shifting his stance this year).

This essay validated all the times I’d thrown stuff at the television seeing these commentators failing the entire LGBTI community with their frivolous, often under-researched naysaying.

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If you’ve endured the years of debate, From This Day Forward is worth reading for this boost alone.

From This Day Forward: Marriage Equality in Australia (Walleah Press) and Questionable Deeds: Making stand for equal love are out now.

© Michael Burge, all rights reserved.

This article appears in Michael’s eBook Creating Waves: Critical takes on culture and politics.

Speaking of equality

I RECENTLY published my non-fiction debut, a biting memoir about the ‘David and Goliath’ battle I fought to have my relationship recognised after the death of my partner, Jono. Get the flavour of the book from this abridged audio version of Questionable Deeds, read by me. To buy the book, go to my online bookshop.

Writer, start online publishing!

TIME to create your regular online writing program, the hub through which a world of readers can discover your writing and, eventually, your books. We’ll also look at how to send each online article you publish to your social media assets with one click, and monetising.

Publishing with WordPress

By now, you should have all your social media assets (if not, skip back to Writer, show off your assets! You’ll need them for the next step). You should also have your very own WordPress account, which you can use as a classic blog (‘web-log’) or as a website with regularly added content. Here is a great, short video about the nuts and bolts of publishing on WordPress. Make sure you watch the section on how to Tag and Categorise your posts. These form the metadata that will help your readers find you when browsing through search engines. Never publish a post without at least one category and a cluster of tags (no more than ten Tags and Categories collectively with the basic, free WordPress account). As a rule, Categories are like the contents of a book – the objective main subjects (e.g. ‘performers’). Tags are like the index of a book – the subjective individuals (e.g. ‘Judy Davis’).

A word on WordPress

“A little output, executed consistently, adds up very quickly.”

Just dive into WordPress. There is plenty to learn, but the basics are easy to get your head around if you’re familiar with Facebook. You select a theme (the look of your site – there are plenty of great free choices). A WordPress account will allow you to blog (which at its most basic is a diary of sorts) but you can create a website instead. My WordPress account has a home page via which readers can navigate to different sections.

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My WordPress journey

When I started my site, I posted once a week, and I did so for years. I started writing posts about my journey as a writer, and these quickly included pieces about my writing heroes and performers, writers and visual artists who inspired me. After about six months I realised there was a theme emerging: I tended to write about people who threw down the gauntlet at pivotal moments. One of the earliest and most popular of these was Don’t f%#k with Judy Davis which continues to attract great numbers of readers across the world. Now, this article heads-up my book Pluck: Exploits of the single-minded, which made it to No. 12 on Amazon.

I labelled my site ‘Michael Burge Media’, and over the years I’ve added articles that I published in my journalism day-jobs, so it is truly a source of all my writing output. Along the way, I altered my site’s look, the content of the two menus (one at the top and one at the side) and I monetised it with an online bookshop and gallery.

My online writing program

Is like my writing schedule: I have all my settings on ‘achievable’ and ‘realistic’. Many people ask me how I remain so prolific as a writer. The truth is, I write a minimum of one page of new material per week, and one social media post. That means I am constantly creating and constantly selling work. If I miss a week of new writing, I need to do two pages the following week. This sounds like very little, but I have maintained this schedule through full-time and part-time work, for more than a decade, and I have never run out of ideas (which I jot down as soon as they come to me – there’s always a list to get though). I have also created ten full-length titles in that period, written for other online platforms and news mastheads, and created a readership. A little output, executed consistently, adds up very quickly.

A monetising moment

All online publishers will encounter the attractive-sounding concept of monetising at some point. Some bloggers shamelessly beg for money, while others are paid to write about certain products under a commercial agreement. I encourage you to give away plenty of free articles for a long time, because that will allow readers to grow accustomed to you, your subject matter, your publishing schedule and your evolving plan. WordPress will host paid advertising on their free sites (or you can pay a little per year to have no ads) – you’ll need to wait until you have tens of thousands of visitors to your site every month to apply for a share of that advertising revenue, or you’ll need to learn how to self-host your WordPress site (as in run the whole thing yourself, from the programming up) to manage your own ad revenue. I realised very quickly how self-hosting would drive me nuts and impinge on my writing schedule, so I settled on another plan: to monetise my website via the products I sell on it, namely my books. Since sales of these products are hosted on other sites (such as Amazon, iTunes, and Booktopia) I don’t need permission from WordPress to promote and link to them.

Recap

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Decide what kind of online writer you are and map-out a schedule. Accept this will evolve over time and don’t beat yourself up if you need to alter it. One great post per month is better than a crap once-a-day blog post. Create your WordPress site – pick a theme and start posting. Send me a link to your first post – I’ll swing by and read it. The most important thing to get right is to just keep writing and publishing. Five minutes after I published my first WordPress post, someone in America read and liked it. Get your writing out there!

An extract from Write, Regardless!

© Michael Burge, all rights reserved.